“The Box Marked Black” is coming to Willamette University Oct. 24-25

Posted in Articles, Arts, Autobiography, Forthcoming Media, United States on 2014-10-24 12:09Z by Steven

“The Box Marked Black” is coming to Willamette University Oct. 24-25

Willamette University News
Salem, Oregon
2014-10-02

What does it mean to be black? Is it the shade of your skin or the kink in your hair? Is it learned?

These questions are explored in “The Box Marked Black: Tales from a Halfrican American growing up Mulatto. With sock puppets!” Written and performed by Damaris Webb and directed by Debra Disbrow, the play is debuting at Willamette University Oct. 24-25.

“In exploring the story of my blackness and unpacking my personal relationship to identity, race and culture, it quickly became clear that the best form for this exploration was as a solo piece,” Webb says. “Hopefully, telling my story will create space for others to unpack and breathe around their own varied identities.”

With only Jenny Willis from “The Jeffersons” as a guide, Webb’s narrative uses direct storytelling, modern dance, song and puppetry to share the perspectives of both sides of her interracial family…

For more information, click here.

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Snap! Space presents Zun Lee

Posted in Arts, Family/Parenting, Forthcoming Media, Live Events, United States on 2014-10-22 19:10Z by Steven

Snap! Space presents Zun Lee

Snap! Orlando
1013 E. Colonial Drive
Orlando, Florida 32803
Saturday, October 25, 2014 14:00-16:00 EDT (Local Time)

Join us for an afternoon artist talk and book signing with photographer Zun Lee.

Zun will be joining us from Toronto and discuss his series ‘Father Figure’ and sign copies of his newly released book Father Figure – Exploring Alternate Notions of Black Fatherhood (September 19, 2014.) Zun’s book release party at the Bronx Documentary Center was so highly anticipated that crowds lined the street surrounding the building around the block to get in. This afternoon at Snap! Space is not to be missed.

Over the course of three years photographer Zun Lee has masterfully attempted to change the perception of the African American father through the lens of his camera. This collection of photographs in the new book is an immersive approach to his remarkable photo documentary project. “Scenes that can stand on their own and humanize the black experience without demanding perfection or respectability,” says Lee were filmed with so much care—vivid images of loving parental relationships that are able to engross any spectator into a family story that is tough to believe. An added revelation: the photographer himself grew up feeling a sense of loss due to his own father’s choice to abandon his family.

Lee, a Toronto-based physician and now self-described street photographer, was born in Germany to what he thought was both a Korean mother and father. As a boy he learned the truth: his black father left his mother upon learning she was pregnant. Lee’s search for compassion led him to families in urban areas of Chicago, New York City, and home to Toronto. Says Lee: “There’s been considerable backlash and confusion regarding why black fatherhood stereotypes are a problem at all, why the special focus on only black fathers, and people who simply refuse to believe that black men can be capable, affectionate loving fathers, period. I appreciate both sides of the collective commentary, because it exemplifies why these images and a broader conversation are needed.

For more information, click here.

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Albert Chong: “The Photomosaics: Works on Paper, Wood, and Stone”, on view through November 1, 2014

Posted in Arts, Asian Diaspora, Forthcoming Media, United States on 2014-10-19 23:21Z by Steven

Albert Chong: “The Photomosaics: Works on Paper, Wood, and Stone”, on view through November 1, 2014

Counterpath
613 22nd Street
Denver, Colorado 80205
(303) 953-2692
2014-10-03 through 2014-11-01


“Angela” (2011) by Albert Chong

Opening Friday, October 3, 2014, at 7 p.m., and on view through November 1, 2014, Counterpath is excited to host an exhibit of recent work by Albert Chong, “The Photomosaics: Works on Paper, Wood, and Stone.” The work consists of image transfers onto gridded ceramic or stone tiles that combine to make up a larger image. Included are blatantly political portraits of presidents George W. Bush and Barack Obama, made from portraits of thousands of dead soldiers, to a portrait of activist and former Black Panther Party member Angela Davis, her iconic afro consisting of thousands of portraits of African American women with processed hair. Photomosaics have the mass and presence of sculpture and the transmissive abilities of photography.

For more information, click here.

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Shows: One Drop of Love

Posted in Arts, Census/Demographics, Forthcoming Media, History, Identity Development/Psychology, Live Events, Social Science, United States on 2014-10-15 16:04Z by Steven

Shows: One Drop of Love

Mesa Arts Center
Nesbitt/Elliott Playhouse
One East Main Street
Mesa, Arizona 85201
Box Office: (480) 644.6500

Performing Live Series
Saturday, 2014-11-01, 15:00 & 19:30 MT (Local Time)

Produced by Ben Affleck, Matt Damon and the show’s writer/performer Fanshen Cox DiGiovanni, One Drop of Love is a multimedia one woman show. It incorporates film, photographs, and animation to examine how ‘race’ has been constructed in the United States and how it can influence our most intimate relationships.

For more information, click here.

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DANCE/CHANGE: The Mixed-Race Polynesian Body in Settler and Indigenous Performance

Posted in Anthropology, Forthcoming Media, Live Events on 2014-10-05 21:53Z by Steven

DANCE/CHANGE: The Mixed-Race Polynesian Body in Settler and Indigenous Performance

University of California, Riverside
900 University Avenue
Riverside, California 92521
Athletics & Dance Building Dance Studio Theatre, ATHD 102
Tuesday, 2014-10-21, 16:10-18-00 PDT (Local Time)

Maile Arvin, UC President’s Postdoctoral Fellow
Department of Ethnic Studies
University of California, Riverside

The Mixed-Race Polynesian Body in Settler and Indigenous Performance

This talk examines the genealogy of settler images of the mixed-race, “almost white,” Polynesian body within early twentieth century eugenics. I look at why the idea that Polynesians used to be white, and are destined to be white again in the future, persists, and how it structures settler colonialism in Polynesia, with a particular focus on Hawaiʻi.

I also show how Indigenous artists work to decolonize categories of race and gender attributed to Polynesian bodies, reframing their own bodies within Indigenous frameworks and futures.

For more information, click here.

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Sociology of Race and Ethnicity will publish its first issue in January 2015!

Posted in Forthcoming Media, Social Science on 2014-09-28 20:29Z by Steven

Sociology of Race and Ethnicity will publish its first issue in January 2015!

Editors:
David L. Brunsma, Professor of Sociology
Virginia Polytechnic Institute & State University
David G. Embrick, Associate Professor of Sociology
Loyola University, Chicago

The Section on Racial and Ethnic Minorities, the American Sociological Association (ASA), along with Sage, will open the submission portal for the new journal, Sociology of Race and Ethnicity, which will publish its first issue in January 2015!

The official journal of ASA’s Section for Racial and Ethnic Minorities, Sociology of Race and Ethnicity will publish the highest quality, cutting-edge sociological research on race and ethnicity regardless of epistemological, methodological, or theoretical orientation. While the study of race and ethnicity has derived from a broad and deep tradition of interdisciplinarity, sociology indeed has often been at the forefront of scholarly understanding of the dynamics of race and ethnicity; yet, there exists no journal in sociology devoted to bringing together this important theoretical, empirical, and critical work. Sociology of Race and Ethnicity will provide a fulcrum upon which sociologically-centered work will swing as it also seeks to provide new linkages between the discipline of sociology and other disciplines and areas where race and ethnicity are central components.

Sociology of Race and Ethnicity, published four times per year, is devoted to publishing the finest cutting-edge, critical, and engaged public sociological scholarship on race and ethnicity.

Each issue will be organized around a core group of original research articles. Depending on the length of the articles, each issue will have approximately three or four of these articles. Original articles, of 8,000 to 10,000 words, will represent rigorous sociological research in the sociology of race and ethnicity, broadly conceptualized, methodologically varied, and theoretically important pieces. The journal will also include a section that will feature original research and pedagogical application pieces devoted to the teaching of race and ethnicity–“Race and Ethnicity Pedagogy”–as well as Book Reviews and a section on Books of Note.

We are currently welcoming submissions of:

  • Regular length journal articles (8,000-10,000 words)
  • Shorter pieces on race and ethnicity pedagogy (1,500 words)

The journal’s co-editors, associate editors, and editorial board members are committed creating a high quality outlet for the most important work in the sociology of race and ethnicity, through timely and constructive peer reviews, careful and engaging editorial decision-making, as well as drawing from all epistemological, theoretical, and methodological perspectives and approaches.

Subscription Information:

Individual articles are available for immediate purchase online (See View Full-Text icon above). Print copies of individual issues can be purchased by contacting the SAGE Journals Customer Service department journals@sagepub.com 1-800-818-7243.

If you are eligible for non-standard pricing please contact Journals Customer Service department journals@sagepub.com 1-800-818-7243 for a price quote.

Frequency: eISSN: 2332-6506 ISSN: 2332-6492
Months of Distribution: Current Volume: Current Issue:
Other Titles In:

For more information, click here. For submission guidelines, click here.

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Dream of the Water Children: Memory and Mourning in the Black Pacific

Posted in Asian Diaspora, Biography, Books, Forthcoming Media, Monographs on 2014-09-28 20:21Z by Steven

Dream of the Water Children: Memory and Mourning in the Black Pacific

2Leaf Press
October 2014
300 pages
Paperback ISBN-13: 978-1-940939-28-5
ePub ISBN-13: 978-1-940939-29-2

Fredrick D. Kakinami Cloyd

Dream of the Water Children, at once a haunting collective memory and a genre-bending critical account of dominance and survival, interweaves intimate multi-family details with global politics spanning generations and continents. Fredrick D. Kakinami Cloyd’s debut work defies categorization as histories and families are intimately connected through sociological ghosts alive in the present. It is a one-of-a-kind ‘non-fiction’ inter-disciplinary evocation that will appeal to not only those interested in Black and Asian relations and mixed-race Amerasian histories, but also a wide general audience including those interested in Asian, Asian-American, Nikkei, African-American, and mixed-race identities as well as multicultural literature, history and post-colonial memoir. Those focused on academic studies such as women and gender studies, ethnic and critical mixed-race studies, social justice curriculum, political histories, memory, feminism, and militarization, etc. will appreciate the profound questions for thought that rise up from the pages. Cloyd’s book not only challenges readers to explore technologies of violence, identity, difference, and our responsibilities to the world, it will also move readers through emotional depths.

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M.I.X.E.D: Multidisciplinary.Intersectional.Xchanging.Empowering.Dialogues Art Show Call for Entries

Posted in Arts, Forthcoming Media, Wanted/Research Requests/Call for Papers on 2014-09-28 20:16Z by Steven

M.I.X.E.D: Multidisciplinary.Intersectional.Xchanging.Empowering.Dialogues Art Show Call for Entries

2014-08-29

M.I.X.E.D is a 100% volunteer run event & art show created in order to make space for progressive discussion around mixed-race identity and our many other intersecting identities. To learn more about “intersectionality”, please visit: http://mixed-me.ca/intersectionality

This year’s event will take place on Saturday May 2nd, 2015. The accompanying art show will take place May 1, 2015 -May 8th, 2015. The opening reception will take place May 1st, 2015.

  • Visual art due date: November 3rd, 2014
  • Facilitator due date: November 3rd, 2014
  • Performance art due date: January 16th, 2015

Submission guidelines can be found here.

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The 3rd Biennial Critical Mixed Race Studies Conference “Global Mixed Race”

Posted in Forthcoming Media, Live Events, United States on 2014-09-28 20:14Z by Steven

The 3rd Biennial Critical Mixed Race Studies Conference “Global Mixed Race”

DePaul University
DePaul Student Center
2550 North Shefield
Chicago, Illinois 60614
2014-11-13 through 2014-11-15

Free and open to the public!

Global Mixed Race, the third biennial Critical Mixed Race Studies Conference, will be hosted at DePaul University in Chicago, November 13th-15th, 2014. It will bring together scholars from a variety of disciplines around the world to facilitate a conversation about the transnational, transdisciplinary, and transracial field of Critical Mixed Race Studies.

The 2014 conference is organized in partnership with DePaul’s Department for Latin American and Latino Studies and the Center for Intercultural Programs, and the non-profit organization Mixed Roots Stories. CMRS 2014 is also co-sponsored by DePaul’s Office of Institutional Diversity and Equity, African Black Diaspora Studies, Art, Media, & Design, Center for Latino Research, Critical Ethnic Studies, Global Asian Studies, Irish Studies, LGBTQ Studies, and Women’s and Gender Studies.

View the draft schedule (as of 2014-08-27) here. The final schedule will be posted after 2014-10-01.

Website: www.criticalmixedracestudies.org
E-Mail: cmrs@depaul.edu
Telephone: 773-325-4994
Facebook: criticalmixedracestudies
Twitter: @CMRSmixedrace #CMRS2014

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“Am I White” by Adrienne Dawes

Posted in Arts, Forthcoming Media, Identity Development/Psychology, Passing, United States on 2014-09-28 20:12Z by Steven

“Am I White” by Adrienne Dawes

Salvage Vanguard Theater Presents the Word Premiere of Am I White by Adrienne Dawes

Performances run October 1- 18, 2014
VIP Opening Night Performance: October 4, 2014

Salvage Vanguard Theater
2803 Manor Road
Austin, Texas 78722
Telephone: (512) 474-SVT-6 (474-7886)

Salvage Vanguard Theater announces the third and final MADE IN THE SVT production of its 20th anniversary season: the world premiere of Am I White by local playwright Adrienne Dawes, directed by Jenny Larson.

When Neo-Nazi terrorist Wesley Connor returns to prison after a failed bomb plot, he is confronted with the two identities that threaten his position within the White Order of Thule most: fatherhood and his own mixed race heritage.

Wesley Connor first entered the prison system at age 19. He became a member of the White Order of Thule, quickly rising the ranks of the “esoteric brotherhood working toward the revitalization of the Culture-Soul of the European people.” Within months of his release from prison, Wesley and teenage girlfriend Polly were arrested exchanging counterfeit bills at an ice cream shop. The subsequent search of their apartment found bomb-making materials, illegal weapons and plans that targeted the Holocaust Memorial Museum in Washington, DC.

Inspired by the true story of Leo Felton and Erica Chase, Am I White travels between recurring dream and minstrel show nightmare to discover if a singular self exists in an alleged “post-racial” America…

For more information, click here.

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