Mixed Race Studies

A Dreadful Deceit: The Myth of Race from the Colonial Era to Obama’s America

Basic Books
2013-12-10
384 pages
Hardback ISBN-13: 9780465036707

Jacqueline Jones, Mastin Gentry White Professor of Southern History
University of Texas, Austin

In 1656, a planter in colonial Maryland tortured and killed one of his slaves, an Angolan man named Antonio who refused to work the fields. Over three centuries later, a Detroit labor organizer named Simon Owens watched as strikebreakers wielding bats and lead pipes beat his fellow autoworkers for protesting their inhumane working conditions. Antonio and Owens had nothing in common but the color of their skin and the economic injustices they battled—yet the former is what defines them in America’s consciousness. In A Dreadful Deceit, award-winning historian Jacqueline Jones traces the lives of these two men and four other African Americans to reveal how the concept of race has obscured the factors that truly divide and unite us.

Expansive, visionary, and provocative, A Dreadful Deceit explodes the pernicious fiction that has shaped American history.

Dr. J .T. Mills: Helping Students Explore Concepts of Race

Mixed Race Radio
Blog Talk Radio
2013-06-19, 16:00Z (12:00 EDT)

Tiffany Rae Reid, Host

John T. Mills, Assistant Director of Multicultural Affairs
Rowan University, Glassboro, New Jersery

Legitimate knowledge regarding the construction of race in America is absent in today’s youth and college aged students. It is imperative to have an understanding of the fluidity of race in America and its context to the systems that perpetuate the ongoing racial divisions in communities and disparities in health care, economic prosperity, and everyday interactions, for example.

Such clarity for these issues is overshadowed by the notion of post racialism in this society that teaches us to avoid or suppress such discussions in the axiom of “political correctness.”  One only needs to look to the President of the United States who is described as the first African American/Black man to hold that office when he is in reality bi-racial. Moreover, the complexity of race in the United States can further be interrogated in his self identification because he is aware of the social, political, and global lenses that identify him as a man of color over his White ancestry.

It is in this context that Dr. Mills works to create environments and opportunities for students to explore the nuances of race and race relations in America in the hopes of creating an awareness that would bring about greater understanding among and between all people.

These discussions then must begin with analyzing why and how race came about in this country during the 17th and 18th centuries during the economic development of the United States when there was much more cross racial cooperation and even harmony at one point than our history books tell us. Blacks, Whites, and Native American Indians intermingled to create a nation and have had more historical commonalities that is being taught and that needs to be addressed to expose the modern forms of raced based oppression that exists today.

For more information, click here.

Solo Show at 2013 Hollywood Fringe Festival Examines Notions of Racial Identity

Contact: Fanshen Cox DiGiovanni
Email: onedropoflove@gmail.com
Website: http://www.onedropoflove.com/
May 2013

(Los Angeles, Calif.) — When actress and playwright Fanshen Cox DiGiovanni married the love of her life in 2006, her father did not walk her down the aisle. In fact, he declined to attend the wedding altogether.

Seeking to understand why he chose not to participate, DiGiovanni began a trek through family history — and time and space — that ultimately led to her M.F.A. thesis project: the multimedia one-woman play, “One Drop of Love: A Daughter’s Search for Her Father’s Racial Approval.”

DiGiovanni will perform the hour-long show on Friday, June 21st at 2:30 p.m., Friday, June 28th at 4:15 p.m. and Sunday, June 30th at 6:00 p.m. at the Lounge Theatres (www.hollywoodfringe.org/venues/11). The cost of the two Friday perrformances is $12 per ticket. The Sunday show is a fundraiser for MASC – Multiracial Americans of Southern California (www.mascsite.org) – all proceeds ($15 per ticket) will go to MASC. This show is also a Los Angeles celebration of Loving Day (www.lovingday.org).

Incorporating filmed images, photographs, and animation DiGiovanni tells the story of how the notion of race came into existence in the United States, and its effects on her relationship with her father. To tell her story, DiGiovanni travels back in time to the first US census in 1790, to cities across the United States, and to West and East Africa, where both father and daughter spent time in search of their racial roots. A leading activist on issues related to mixed cultures and ethnicities, DiGiovanni is an actor, comedian, producer, and educator. She developed “One Drop of Love” as the thesis project for her Master of Fine Arts degree in film, television, and theater from California State University Los Angeles. She will use footage from her performances—the most recent was at the University of California, Santa Barbara—to produce a documentary film. DiGiovanni, who appeared in the Academy Award-winning film “Argo,” is also the co-creator, co-producer, and co-host of the award-winning weekly podcast Mixed Chicks Chat, and co-founder and co-producer of the Mixed Roots Fm & Literary Festival^®.

Read the entire press release here.

One Drop of Love

Hollywood Fringe Festival
L.A.’s Largest Celebration of the Performing Arts
2013-06-13 through 2013-06-30

Fanshen Cox DiGiovanni, Playwright, Producer, Actress, Educator

Jillian Pagan, Director

Produced by: Ben Affleck, Matt Damon and Chay Carter

Performances:

Friday 2013-06-21, 14:30 PDT (Local Time)
Lounge Theatre
6201 Santa Monica Boulevard, Los Angeles, California

Friday 2013-06-28, 16:15 PDT (Local Time)
Lounge Theatre
6201 Santa Monica Boulevard, Los Angeles, California

Sunday 2013-06-30, 18:00 PDT (Local Time)
Lounge Theatre
6201 Santa Monica Boulevard, Los Angeles, California

One Drop of Love is a multimedia solo show that journeys from the U.S. to East & West Africa and from 1790 to the present as a culturally Mixed woman explores the influence of the “one -drop rule” on her family and society. All proceeds from the Sunday, June 30th show will go to MASC – Multiracial Americans of Southern California – in celebration of Loving Day.

For more information, click here.

Sex Tourism in Bahia: Ambiguous Entanglements

University of Illinois Press
November 2013
248 pages
1 map
6 x 9 in
Cloth ISBN: 978-0-252-03793-1
Paper ISBN: 978-0-252-07944-3

Erica Lorraine Williams, Assistant Professor of Anthropology
Spelman College, Atlanta, Georgia

Winner of the National Women’s Studies Association/University of Illinois Press First Book Prize

How sexism, racism, and socio-economic inequality interact in the Brazilian sex industry

Brazil has the largest economy of any Latin American country with a population five times greater than any other South American country, and for nearly a decade, Brazil has surpassed Thailand as the world’s premier sex tourism destination. As the first full-length ethnography of sex tourism in Brazil, this pioneering study treats sex tourism as a complex and multidimensional phenomenon that involves a range of activities and erotic connections, from sex work to romantic transnational relationships. Erica Lorraine Williams explores sex tourism in the Brazilian state of Bahia from the perspectives of foreign tourists, tourism industry workers, sex workers who engage in liaisons with foreigners, and Afro-Brazilian men and women who contend with foreigners’ stereotypical assumptions about their licentiousness.

In her analysis, Williams argues that the cultural and sexual economies of tourism are inextricably linked in the Bahian capital city of Salvador’s tourism industry. She shows how the Bahian state strategically exploits the touristic desire for exotic culture by appropriating an eroticized blackness and commodifying the Afro-Brazilian culture in order to sell Bahia to foreign travelers. Drawing on eighteen months of ethnographic research and in-depth interviews, Sex Tourism in Bahia: Ambiguous Entanglements combines historical, sociological, anthropological, cultural studies, and feminist perspectives to demonstrate how sexism, racism, and socio-economic inequality interact in the context of tourism in Bahia.

Everyday Life in the Early English Caribbean: Irish, Africans, and the Construction of Difference

University of Georgia Press
2013-11-15
256 pages
18 b&w photos, 1 map
Trim size: 6 x 9
Cloth ISBN: 978-0-8203-4505-5
Paper ISBN: 978-0-8203-4662-5
Ebook ISBN: 978-0-8203-4634-2

Jenny Shaw, Assistant Professor of History
University of Alabama

A new examination of the experiences of Irish and Africans in the English Caribbean

Set along both the physical and social margins of the British Empire in the second half of the seventeenth century, Everyday Life in the Early English Caribbean explores the construction of difference through the everyday life of colonial subjects. Jenny Shaw examines how marginalized colonial subjects—Irish and Africans—contributed to these processes. By emphasizing their everyday experiences Shaw makes clear that each group persisted in its own cultural practices; Irish and Africans also worked within—and challenged—the limits of the colonial regime. Shaw’s research demonstrates the extent to which hierarchies were in flux in the early modern Caribbean, allowing even an outcast servant to rise to the position of island planter, and underscores the fallacy that racial categories of black and white were the sole arbiters of difference in the early English Caribbean.

The everyday lives of Irish and Africans are obscured by sources constructed by elites. Through her research, Jenny Shaw overcomes the constraints such sources impose by pushing methodological boundaries to fill in the gaps, silences, and absences that dominate the historical record. By examining legal statutes, census material, plantation records, travel narratives, depositions, interrogations, and official colonial correspondence, as much for what they omit as for what they include, Everyday Life in the Early English Caribbean uncovers perspectives that would otherwise remain obscured. This book encourages readers to rethink the boundaries of historical research and writing and to think more expansively about questions of race and difference in English slave societies.

Half-Caste as Seen Through the Eyes of James Southard

Mixed Race Radio
Blog Talk Radio
2013-06-05, 16:00Z (12:00 EDT)

Tiffany Rae Reid, Host

James Southard has always been drawn to the creation of authentic stories that are visually and emotionally compelling. His love of music and photography eventually led him to the video business as an Associate Producer working for Quincy Jones’ cable network (NUE-TV) in 2000. Since then, Mr. Southard has worked with clients such as Discovery Channel, HGTV, TV- Guide Channel, as well as several universities and non-profit organizations.

While James is proud of the time he spent as a youth working for his father in a grocery store and as a white-water rafting guide in his early 20s where spent three years working with emotionally challenged youth, James made a mark in his high school when he and his friend, Darrel Satcher started the first black students club.

On Today’s episode of Mixed Race Radio, we will discuss James’ love of Hip Hop and some of the experiences that have shaped him and his ideas of race as a social, rather than a biological, construct since he became a Hip Hop DJ in 1992. James will talk with us about some of his interesting experiences dealing with racism as a man who self-identifies as mixed and how he navigates the concept of race with his family and a community that sometimes feels he…

For more information, click here.

Antidiscrimination Law and the Multiracial Experience: A Reply to Nancy Leong

Hastings Race and Poverty Law Journal
Volume 10, Summer 2013
pages 191-218

Tina F. Botts, Assistant Professor of Philosophy, Pre-law Advisor
University of North Carolina at Charlotte

Nancy Leong’s thesis, in “Judicial Erasure of Mixed-Race Discrimination,” is that antidiscrimination law should make a switch from defining race “categorically” to defining it in terms of the perception of the would-be discriminator so as to better accommodate claims of multiracial discrimination and so as to better achieve what Leong sees as the goals of antidiscrimination law, i.e., the promotion of racial understanding, and the elimination of racism and racial discrimination. But, while Leong’s goals are admirable, the method she proposes for achieving these goals will not succeed. Antidiscrimination law cannot operate to promote racial understanding, or to eliminate racism and racial discrimination, because it was not designed to achieve these goals. Moreover, a switch in focus on the part of antidiscrimination courts from “categorical” race to “perceived” race will not render antidiscrimination law more accommodating to claims of multiracial discrimination. Such a shift would instead operate to further exclude multiracial plaintiffs from protection against discrimination. A more effective way of modifying antidiscrimination law so as to render it better able to accommodate claims of multiracial discrimination is to call courts (1) to remember that discrimination is something that happens to social groups and not to individuals, and (2) to include multiracial persons among the groups of persons specially protected from discrimination.

Read the entire article here.

Undercover Asian: Multiracial Asian Americans in Visual Culture

University of Illinois Press
November 2013
256 pages
6 x 9 in.
15 black & white photographs
Cloth ISBN: 978-0-252-03807-5
Paper ISBN: 978-0-252-07956-6

Leilani Nishime, Assistant Professor of Communications
University of Washington, Seattle

Representations of mixed race Asian Americans in popular culture

In this first book-length study of media images of multiracial Asian Americans, Leilani Nishime traces the codes that alternatively enable and prevent audiences from recognizing the multiracial status of Asian Americans. Nishime’s perceptive readings of popular media–movies, television shows, magazine articles, and artwork–indicate how and why the viewing public often fails to identify multiracial Asian Americans. Using actor Keanu Reeves, golfer Tiger Woods, and the television show Battlestar Galactica as examples, Nishime suggests that this failure is tied to gender, sexuality, and post-racial politics. In contrast to these representations, Nishime provides a set of alternative moments when audiences can view multiracial Asians as multiracial. Through a consideration of the Matrix trilogy, reality TV star Kimora Lee Simmons, and the artwork of Kip Fulbeck, these examples highlight both the perils and benefits of racial visibility, uncovering our society’s ways of constructing racial categories. Throughout this incisive study, Nishime offers nuanced interpretations that open the door to a new and productive understanding of race in America.

Fannie Barrier Williams: Crossing the Borders of Region and Race

University of Illinois Press
2014
288 pages
6.125 x 9.25 in.
5 black & white photographs
Cloth ISBN: 978-0-252-03811-2
Paper ISBN: 978-0-252-07959-7

Wanda A. Hendricks, Associate Professor of History
University of South Carolina

The biography of a key activist of the Progressive Era

Born shortly before the Civil War, activist and reformer Fannie Barrier Williams (1855-1944) became one of the most prominent educated African American women of her generation. In this first biography of Williams, Wanda A. Hendricks focuses on the critical role of geography and social position in Williams’s life, illustrating how the reform activism of Williams and other black women was bound up with place and space.

Growing up in Brockport, New York, a mostly white society that encouraged social equality and embraced her and her family, Williams was insulated from the political turmoil surrounding the debates about slavery and black rights. Hendricks shows how Williams became “raced” for the first time in early adulthood, when she became a teacher in Missouri and Washington, D.C., and faced the injustices of racism and the stark contrast between the lives of freed slaves and her own privileged upbringing. She carried this new awareness with her to Chicago, where she joined forces with women’s clubs, the Unitarian church, and various other interracial social justice organizations to become a prominent spokesperson for Progressive economic, racial, and gender reforms.

By highlighting how Williams experienced a set of freedoms in the North that were not imaginable in the South, this clearly-written, widely accessible biography expands how we understand intellectual possibilities, economic success, and social mobility in post-Reconstruction America.