|Caribbean/Latin America, Dissertations, Literary/Artistic Criticism, Media Archive on 2014-05-28 15:47Z by Steven|
University of Tennesee, Knoxville
Sonja Stephenson Watson
A Dissertation Presented for the Doctor of Philosophy Degree
The diaspora experience is characterized by hybridity, diversity and above all, difference. The nature of the diaspora experience therefore precludes an exclusive articulation of identity. Black identity in Panama is one characterized by this same multiplicity. My dissertation examines race, culture, and ethnicity in the development of Panamanian national identity and is informed by the critical theories of Paul Gilroy, Stuart Hall, and Frantz Fanon. The articulation of Afro-Panamanian identity is both intriguing and complex because there are two groups of blacks on the Isthmus: Spanish speaking blacks who arrived as a result of slavery (15th -18th centuries) and English speaking blacks who migrated from the West Indies to construct the Trans-isthmian Railroad (1850-1855) and Panama Canal (1904-1914).
The country’s cultural and linguistic heterogeneity not only enriches the study of Panama and illustrates that it is a nation characterized by multiplicity, but it also captures the complexity of the African Diaspora in the Americas. This plurality is evidenced in Afro-Panamanian literary discourse from its inception in the late nineteenth century to the present. This study analyzes the representation of Afro-Hispanics and Afro-Antilleans during different time periods in Panamanian literature, the literature written by Afro-Hispanics, and the literature written by Afro-Antilleans which emerged during the latter half of the twentieth century. Finally, I address how the discourse of both groups of blacks converge and diverge.
Panamanian literature has been grossly understudied. While its history, geography, and political ties to the United States have been examined extensively by intellectuals from the United States and Latin America, with the exception of a few studies, its literature has been virtually ignored by the Hispanic literary canon. Within the field of Afro-Hispanic literature, black Panamanian literature has also been understudied. With the exception of works published about Gaspar Octavio Hernández, Carlos Guillermo Wilson, and Gerardo Maloney, Afro-Panamanian literature has not been examined comprehensively. My dissertation seeks to fill this void in the field of Afro-Hispanic literature and, hopefully, it will enrich the field of Latin and Central American literature and literary criticism.
Table of Contents
- Chapter one: The Rhetoric of Nation and the Invisibility of Blackness in the New Republic of Panama
- Chapter two: The Black Image in Early Twentieth-Century Panamanian Literature
- Chapter three: The Social Protest Novels of Joaquín Beleño Cedeño: A Study of the Inherent Conflicts and Contradictions of Anti-imperialism and Negritude in the Canal Zone
- Chapter four: The Afro-Caribbean Works of Carlos “Cubena” Guillermo Wilson and his (Re) Vision of Panamanian History
- Chapter five: Race, Language, and Nation in the Works of Three Contemporary Panamanian West Indian Writers: Gerardo Maloney, Melva Lowe de Goodin, and Carlos E. Russell
- Conclusion: Afro-Panamanian Discourse: From Invisibility to Visibility
- List of References
Read the entire dissertation here.