What it’s like to be Black and Argentine

Posted in Anthropology, Caribbean/Latin America, History, Media Archive, Slavery, Social Justice, Videos on 2019-01-19 02:36Z by Steven

What it’s like to be Black and Argentine

BBC News
2018-12-31

Reporter: Celestina Olulode
Produced by Hannah Green and Hannah Gelbart for the BBC News at Ten.

Black people have had a huge influence on Argentina’s history, but now they make up only one percent of the population of Buenos Aires.

Afro-Argentines, whose families descended from the slave trade, often feel like they’ve been written out of history and are mistaken for foreigners in their own country.

Watch the story here.

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Allure

Posted in Articles on 2019-01-19 00:34Z by Steven

Allure

Medium
2019-01-07

Fanny Elisabeth Garvey

For A., C., C., J., and S., who see the beauty in me.

II. ALLURE

2018. Ireland.

I wanted so badly to ask her how she does it that I sat there feeling stupidly desperate.

This beautiful woman sitting next to me at the table.

The kind of woman of whom people say: There’s simply something just so alluring about her.

How, I wondered, could she be so cool, so calm, so black, so beautiful, in her halter top evening gown, with her braided hair falling elegantly down around her shoulders and her skin glowing smooth, dark brown and silky as a mink?

She and I were the only black folk in the place.

No one noticed this except me.

Well.

Maybe she did….

Read the entire article here.

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Mixed Race, Half Enough?

Posted in Articles, Asian Diaspora, Autobiography, Media Archive, United States on 2019-01-19 00:08Z by Steven

Mixed Race, Half Enough?

Medium
2019-01-15

Kristen Simmons


Photo by Thomas Hafeneth on Unsplash

Hi.

I’m Kristen. I’m a mixed-race author who writes books with mixed-race characters. Yes, I know my last name is Simmons and doesn’t sound very Japanese. Yes, I know Kristen doesn’t either. Yes, I even know that while many people have called me everything from “tan” to “exotic,” I don’t look “very Japanese.”

But guess what? I am.

All my life, this has been something I’ve encountered. People would ask my father when I was alone with him in public if I was really his daughter because we didn’t look alike. (For the record, he’s Caucasian.) Then, when I first started telling people I was Japanese, the questions turned to, “But not completely Japanese, right?” Because to them, I wasn’t…

Read the entire article here.

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British woman whose Nigerian father was killed by an IRA bomb has been driven from her Northern Ireland home by racists, she says, as she finally finds ‘sanctuary’ in England

Posted in Articles, Media Archive, United Kingdom on 2019-01-18 23:53Z by Steven

British woman whose Nigerian father was killed by an IRA bomb has been driven from her Northern Ireland home by racists, she says, as she finally finds ‘sanctuary’ in England

The Daily Mail
2018-02-20

Richard Spillett

Jayne Olorunda, the daughter of a man killed by the IRA, has told how she was forced out of Northern Ireland by racism
Jayne Olorunda, the daughter of a man killed by the IRA, has told how she was forced out of Northern Ireland by racism
  • Jayne Olorunda grew up in Belfast after her father was killed by an IRA bomb
  • She says her family have been forced out of Northern Ireland by racism
  • Now in her thirties, she was surrounded by racist thugs outside party in 2016
  • She says her family are much happier in Leeds, where ‘attitudes are different’

The daughter of a man killed in an IRA bombing has told how she was later forced from Northern Ireland by racism.

Jayne Olorunda is the daughter of Nigerian-born Max Olorunda, who was killed by an IRA incendiary bomb which detonated aboard a train in Dunmurry in 1980.

She grew up in Belfast but recently moved to England due to racism in Northern Ireland…

…Miss Olorunda has written Legacy, the story of her family and how they have coped with her father’s tragic death and the aftermath of it.

The book covers Miss Olorunda’s mother’s deteriorating health and how the pair eventually met the man involved in the bombing which killed her father as well as her own struggles growing up.

Read the entire article here.

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Born to Protest: Legal Trailblazer Pauli Murray Takes Her Rightful Place in History

Posted in Articles, Biography, Communications/Media Studies, History, Media Archive, Social Justice, United States, Women on 2019-01-18 23:29Z by Steven

Born to Protest: Legal Trailblazer Pauli Murray Takes Her Rightful Place in History

Bitch Media
2018-12-20

Marisa Bate


Dr. Pauli Murray is finally reentering our public consciousness. (Associated Press)

In On the Basis of Sex, the forthcoming movie about Ruth Bader Ginsburg’s journey into law, RBG (played by Felicity Jones) holds a moot court in her apartment to prepare for Moritz v. Commissioner, her first big case and the beginning of her lifelong fight against sex discrimination. One of the moot court judges is Dr. Pauli Murray (Sharon Washington), an African American lawyer, activist, poet, and priest, who’s wearing a truly terrific pink pantsuit. “Pauli would have been upset about that pink suit,” Rosalind Rosenberg, Professor of History Emerita at Barnard College, and Murray’s biographer tells me. In fact, “Pauli never visited Ginsberg’s apartment and certainly did not serve on a moot court as a judge, but it’s a biopic, and I think it’s a visually defensible way into the picture. But [as] a historian, if this was a documentary, I would’ve protested because this never happened.”

I was thrilled to see Murray in On the Basis of Sex, even if the film rewrote some of history’s details. (The movie’s screenwriter is RBG’s nephew, Daniel Stiepleman, and a generous defense would suggest the inclusion is a tribute to those his aunt admired most.) I have been fascinated by Murray’s life, career, and why she’s been so overlooked and underknown since I stumbled across an article about her a few years ago. Anna Pauline “Pauli” Murray was born into a mixed-race family in Baltimore in 1910, orphaned at the age of 3, adopted by her aunt, and raised in the Episcopal church in Durham, North Carolina, before becoming an influential civil-rights lawyer. Despite her accomplishments, when I visited the movie’s IMDb.com page, I found neither Sharon Washington nor Murray’s names listed. “Guy #1” and “Guy #2,” however, are…

Read the entire article here.

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The Ice Migration

Posted in Books, Caribbean/Latin America, Media Archive, Novels, United Kingdom on 2019-01-13 23:37Z by Steven

The Ice Migration

Peepal Press
2018-05-31
224 pages
Paperback ISBN: 9781845233587

Jacqueline Crooks

The stories in this ambitious collection move around in time and place, linked by the experiences of the descendants of a Jamaican family of mixed Indian and African heritage.

The stories in this collection move around in time and place, linked by the experiences of the descendants of a Jamaican family of mixed Indian and African heritage.

From Roaring River in rural Jamaica in 1908 where the descendants of African slaves make connections with new arrivals from Calcutta to work in the sugar cane fields, to Southall in 2013, where the Millers live alongside newer migrants from India, The Ice Migration is a poetic exploration of movement as central to the human condition.

Crooks’ vision encompasses the ancestors of the vanished Tainos in Jamaica who crossed the Behring Straits 40,000 years ago, but who linger in spirit, and individuals like Tutus who is driven to separation from her family, to constantly moving on, but who ultimately makes a return to Roaring River.

The people of Jacqueline Crooks’ stories are deeply enmeshed in their African/Indian Jamaican world of dreams, visions, duppies and spiritual presences that connect them across time and place. What they discover beyond the strangeness of change of place and the hostilities they encounter is that life remains defined by its common crises – of birth, the complications of sexuality, sickness, old age, and death – and by the comforts of food, stories and memory.

Individual stories have been shortlisted in the Asham Award and Wasafiri New Writing competitions and have appeared in: Virago, Granta, Closure: Contemporary Black British short stories, the Woven Tale Press, and MsLexia. The Ice Migration is Jacqueline Crooks’ first book.

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Lynette Linton: ‘Why are we not marching in the streets?’

Posted in Articles, Arts, Media Archive, Politics/Public Policy, United Kingdom on 2019-01-12 03:28Z by Steven

Lynette Linton: ‘Why are we not marching in the streets?’

The Guardian
2019-01-02

Bridget Minamore


Lynette Linton, incoming artistic director of the Bush Theatre in London, photographed during rehearsals for Sweat. Photograph: David Levene for the Guardian

Fuelled by passion and outrage, the playwright and director is shaking up theatre with works about Windrush to an all-women-of-colour Richard II – and now she’s taking over the Bush in London

Lynette Linton is known for her deep love of Michael Jackson. The director and playwright has said that, in a parallel universe, her ideal job would be the King of Pop’s backup dancer. When I ask her why she loves him so much, she replies as though the answer is obvious. Jackson, she says, was a theatremaker. “If you watch his performances, that’s a show, it’s an experience. Everything from his toe to his eyebrow was activated, and you want your audiences to faint like they did when they saw him.” Does she want the audience for Sweat, her current production at the Donmar Warehouse in London, to faint in the aisles? Linton laughs, and points out that Sweat’s playwright, Lynn Nottage, has signed on to write the book for a forthcoming Broadway musical about Jackson. Everything, it seems, is connected.

To many in British theatre, Linton is one of the industry’s friendliest and most exciting figures. As an assistant director she has worked with Kwame Kwei-Armah and Michael Grandage; she has been an associate director of the Gate in Notting Hill, and she has written for both Theatre Royal Stratford East and the Arcola in east London, her plays exploring mixed-race identity (2017’s Hashtag Lightie), queerness (2013’s Step) and inner-city London’s chicken shops (2015’s Chicken Palace)…

…Much of Linton’s work has touched on who she is and where she comes from, with her forthcoming Windrush films a tribute to her mixed British Caribbean heritage. “My dad is from Guyana, and he sat me and my brother down [as children] and was like, ‘You are black, the world will see you as black.’” The Windrush scandal is something that has affected her deeply. “I spoke to theatre people, saying, ‘Why are we not responding to this? Why are we not in the streets marching?’ They’re sending families home. It makes me feel sick.” Linton’s voice shakes a little. “Even now, it chokes me. The people they’re targeting are elders, man. People are having heart attacks and have died because of this.” Still, her films – which are to be screened at the Royal Court in London – will have “a massive celebration at the core. It was really important to me that we took over a building and celebrated West Indian culture.”…

Read the entire interview here.

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Race After Technology: Abolitionist Tools for the New Jim Code

Posted in Books, Forthcoming Media, Health/Medicine/Genetics, Monographs, Politics/Public Policy, Social Justice, Social Science on 2019-01-12 02:19Z by Steven

Race After Technology: Abolitionist Tools for the New Jim Code

Polity
May 2019
172 pages
138 x 216 mm / 5 x 9 in
Hardback ISBN: 9781509526390
Paperback ISBN: 9781509526406
Open eBook ISBN: 9781509526437

Ruha Benjamin, Assistant Professor of African American Studies
Princeton University

From everyday apps to complex algorithms, Ruha Benjamin cuts through tech-industry hype to understand how emerging technologies can reinforce white supremacy and deepen social inequity.

Far from a sinister story of racist programmers scheming on the dark web, Benjamin argues that automation has the potential to hide, speed, and even deepen discrimination, while appearing neutral and even benevolent when compared to racism of a previous era. Presenting the concept of the “New Jim Code,” she shows how a range of discriminatory designs encode inequity: by explicitly amplifying racial hierarchies, by ignoring but thereby replicating social divisions, or by aiming to fix racial bias but ultimately doing quite the opposite. Moreover, she makes a compelling case for race itself as a kind of tool – a technology designed to stratify and sanctify social injustice that is part of the architecture of everyday life.

This illuminating guide into the world of biased bots, altruistic algorithms, and their many entanglements provides conceptual tools to decode tech promises with sociologically informed skepticism. In doing so, it challenges us to question not only the technologies we are sold, but also the ones we manufacture ourselves.

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Don’t Touch My Hair

Posted in Africa, Anthropology, Books, Forthcoming Media, Monographs on 2019-01-12 02:19Z by Steven

Don’t Touch My HairDon’t Touch My Hair

Allen Lane (an imprint of Penguin)
2019-02-05
240 pages
Hardback ISBN: 9780241308349
Ebook ISBN: 9780141986296

Emma Dabiri, Teaching Fellow SOAS; Visual Sociology Ph.D. Researcher, Goldsmiths

Despite our more liberal world views, black hair continues to be erased, appropriated and stigmatised to the point of taboo. Why is that?

Recent years have seen the conversation around black hair reach tipping point, yet detractors still proclaim ‘it’s only hair!’ when it never is. This book seeks to re-establish the cultural significance of African hairstyles, using them as a blueprint for decolonisation. Over a series of wry, informed essays, the author takes us from pre-colonial Africa, through the Harlem Renaissance, Black Power and into today’s Natural Hair Movement, the Cultural Appropriation Wars and beyond. We look at the trajectory from hair capitalists like Madam CJ Walker in the early 1900s to the rise of Shea Moisture today, touching on everything from women’s solidarity and friendship, to forgotten African scholars, to the dubious provenance of Kim Kardashian’s braids.

The scope of black hairstyling ranges from pop culture to cosmology, from prehistoric times to the (afro)futuristic. Uncovering sophisticated indigenous mathematical systems – the bedrock of modern computing – in black hair styles, alongside styles that served as secret intelligence networks leading enslaved Africans to freedom, Don’t Touch My Hair proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation.

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Tuscaloosa author writes children’s book about biracial daughter

Posted in Articles, Family/Parenting, Media Archive, United States on 2019-01-12 02:16Z by Steven

Tuscaloosa author writes children’s book about biracial daughter

The Tuscaloosa News
Tuscaloosa, Alabama
2019-01-09

Kelcey Sexton, Staff Writer


Monique Fields, a children’s author from Tuscaloosa, stands with her first published book Saturday, July 21, 2018. [Staff file photo/Gary Cosby Jr.]

Monique Fields remembers when she got inspiration for “Honeysmoke.”

It was when her eldest daughter began asking questions about herself, namely about the color of her skin. They were questions that took her by surprise because Simone was only 3 years old.

“She started asking questions about who she is, and I didn’t really have any good answers for her,” Fields said.

It seemed early for her to be paying such close attention to things like that.

“Basically, she pointed to my face one day, and she said, ‘Mommy’s a black girl.’ And I was like, ‘Yeah, Mommy’s a black girl,’ ” she said. ”(Then Simone) said, ‘Simone is a white girl.’ ”

Fields, 48, admitted she really didn’t know the best way to respond to that and told Simone, no, she was a black girl like Mommy.

“Which is not true and was not the thing to do,” she said. “Then (Simone’s dad) Ken said, ‘You have a little bit of both worlds. You’re a little bit of Mommy and a little bit of Daddy.’…

Read the entire article here.

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