Amrita Hepi interview

Posted in Articles, Arts, Interviews, Media Archive, Oceania, Passing on 2016-05-24 19:09Z by Steven

Amrita Hepi interview

Time Out Sydney
2015-05-24

Dee Jefferson, Arts & Culture Editor

Sydney knows – and loves – Amrita for her Hollaback nights and Beyoncé dance classes, but her latest project is far more fierce

Amrita Hepi was in the final creative phase of her dance-theatre work Passing, with New Zealand-born dancer and spoken-word artist Jahra Wasasala, when Beyoncé dropped her first Lemonade single and film clip, ‘Formation’.

“I was like man… What the!? This is everything we’re going through right now. And people were saying ‘How dare she have a political statement? She’s not even that black! She dyes her hair blonde!’.’”…

Passing explores identity from the perspective of two women who not only have mixed cultural heritage, but whose dance practice spans genres as far apart as classical ballet, contemporary Indigenous choreography and dance hall…

Read the entire interview here.

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Black Velvet: redefining and celebrating Indigenous Australian women in art

Posted in Articles, Arts, Media Archive, Oceania, Women on 2016-05-19 01:47Z by Steven

Black Velvet: redefining and celebrating Indigenous Australian women in art

The Conversation (US Pilot)
2016-05-08

Sandra Phillips, Lecturer
Creative Writing and Literary Studies, School of Media, Entertainment and Creative Arts, Creative Industries Faculty
Queensland University of Technology, Brisbane, Queensland, Australia

*Warning: This article contains graphic language that may upset some readers, while Aboriginal and Torres Strait Islander readers should be aware that it may contain images, voices or names of deceased people.

With her first solo exhibition, artist Boneta-Marie Mabo has been inspired by the State Library of Queensland’s collections to create new works that speak back to colonial representations of Indigenous womanhood.

She found portraits of Indigenous women without any name, or with labels such as “black velvet” or “gin”; objects, rather than women. Men on the frontier sought to control Aboriginal lands as well as women’s bodies – with or without consent.

The 2005 documentary Pioneers of Love discusses the colonial fetish for Indigenous women.

Revered author Henry Lawson was one of the first to popularise the phrase ‘black velvet’. It described the soft, smooth skin of Aboriginal women – or ‘gins’, as they were referred to then. The men who associated with Aboriginal women were known as ‘gin jockeys’. And their children were often referred to as ‘burnt corks’. – Watch from 1:52 of this clip of the documentary.

But Boneta-Marie’s exhibition, Black Velvet: your label, is more than a response to the past. It’s also about the struggle not to let others define our identity. And it’s a celebration of Indigenous women today, including Boneta-Marie’s grandmother, activist and Order of Australia winner Bonita Mabo

Read the entire article here.

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Raising mixed race kids

Posted in Articles, Asian Diaspora, Family/Parenting, Media Archive, Oceania on 2016-05-01 00:13Z by Steven

Raising mixed race kids

Special Broadcasting Service Corporation
Melbourne, Australia
2016-04-27

Ian Rose

The prospect of a family holiday has Ian Rose reflecting on the pleasures of bringing up mixed-race children, and the responsibility to keep them in touch with both cultures.

Let’s get this out there straight away. I am a pom. An unreconstructed, unapologetic, dyed-in-the-wool Englishman. I take tea in the morning, consider any code of football using a non-round ball to be knuckle-headed frippery, and I will automatically apologise if you stand on my foot.

Eight years and counting down-under has not made the slightest dent in my pomminess.

I was brought here by the love of an endlessly patient Vietnamese-Australian woman, a love that has borne hybrid fruit in the form of two children, now aged an exhausting five and six. They’re Aussie. But they’re English, too. And Vietnamese.

So this year, to connect them with that side of their heritage, we’ve decided to take a family holiday to Vietnam.

“Hey, kids,” I announce at the dinner table, partly to distract the boy from his greens.

“Guess where we’re going on holiday? To Vietnam! Yaaaaay!”

My daughter’s face falls into a gurn of displeasure.

“Awww,” she laments, “why can’t we go to England?”…

Read the entire article here.

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An Heir to a Tribe’s Culture Ensures Its Language Is Not Forgotten

Posted in Anthropology, Articles, Biography, History, Media Archive, Native Americans/First Nation, Oceania on 2016-04-11 02:11Z by Steven

An Heir to a Tribe’s Culture Ensures Its Language Is Not Forgotten

The Saturday Profile
The New York Times
2016-04-08

Michelle Innis


Stan Grant, a Wiradjuri elder, at his home in Narrandera, Australia. Mr. Grant was an author of “A New Wiradjuri Dictionary,” after years of advocating to preserve the Wiradjuri language.
Credit Adam Ferguson for The New York Times

NARRANDERA, AustraliaStan Grant, crudely tattooed in a way that hints at the petty crime and drunken brawls of his youth, clasped gnarly hands across his round belly and murmured: “birrangbirrang, birrangbirrang.”

Mr. Grant had spotted a small kingfisher, or birrangbirrang in Wiradjuri, as it swooped low over the Murrumbidgee River in the oppressive summer heat, calling to its mate.

Slipping back into English, he spoke over the whirring of cicadas in the river red gum trees that line the sandy banks: “It is smaller than a kookaburra. Its mate will be nearby.”

Mr. Grant, 75, is an elder of Australia’s second-largest Aboriginal tribe, the Wiradjuri, who roamed most of central New South Wales before white farmers surged inland in the early 1800s.

Until recently, he was one of only a handful of people still speaking the tribal language, also called Wiradjuri (pronounced wi-RAD-jury), which nearly died out in the 20th century, when Aboriginals could be jailed for speaking their native tongue in public.

“You are nobody without language,” Mr. Grant said. “The world does not respect a person who does not have language.”…

…Mr. Grant was probably 8 or 9 years old the night a local policeman heard his grandfather, Wilfred Johnson, and locked him up. But he does not recall a sense of alarm.

“He was an elegant man,” he said of Mr. Johnson. “He was beautifully dressed, usually in a coat and hat. But he was black. So it wasn’t the first time he had spent the night in jail.”

After the arrest, Mr. Johnson, who spoke seven languages, refused to speak Wiradjuri in public…

Read the entire article here.

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Family inspires book on life

Posted in Articles, Family/Parenting, Media Archive, Oceania on 2016-01-23 03:06Z by Steven

Family inspires book on life

Communitynews.com.au
Perth, Western Australia, Australia
2016-01-12

Bryce Luff, Fremantle Gazette


The idea of family has changed: Matthew Green and Naomi Kissiedu-Green with their children Savannah, Kobi and Ebony Green. Picture: Matt Jelonek

An Atwell mother disheartened by a lack of books depicting multicultural families has decided to fill the gap in the market herself.

Naomi Kissiedu-Green, a woman of Ghanaian heritage, has three children under four years of age with her Australian husband Matthew Green.

The qualified childcare worker said she searched high and low for books depicting families with diverse backgrounds to read to her kids.

Locally she could find little so she imported literature from overseas.

That is when The Colourful Life! series, Kissiedu-Green’s first publishing venture, was born…

Read the entire article here.

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Illicit Love: Interracial Sex and Marriage in the United States and Australia

Posted in Books, History, Media Archive, Monographs, Native Americans/First Nation, Oceania, United States on 2015-12-22 04:05Z by Steven

Illicit Love: Interracial Sex and Marriage in the United States and Australia

University of Nebraska Press
2015-12-01
616 pages
Hardcover ISBN: 978-0-8032-3825-1

Ann McGrath, Professor of History, Director of the Australian Centre for Indigenous History
Australian National University, Canberra, Australian Capital Territory

Illicit Love is a history of love, sex, and marriage between Indigenous peoples and settler citizens at the heart of two settler colonial nations, the United States and Australia. Award-winning historian Ann McGrath illuminates interracial relationships from the late eighteenth to the early twentieth century through stories of romance, courtship, and marriage between Indigenous peoples and colonizers in times of nation formation.

The romantic relationships of well-known and ordinary interracial couples provide the backdrop against which McGrath discloses the “marital middle ground” that emerged as a primary threat to European colonial and racial supremacy in the Atlantic and Pacific Worlds from the Age of Revolution to the Progressive Era. These relationships include the controversial courtship between white, Connecticut-born Harriett Gold and southern Cherokee Elias Boudinot; the Australian missionary Ernest Gribble and his efforts to socially segregate the settler and aboriginal population, only to be overcome by his romantic impulses for an aboriginal woman, Jeannie; the irony of Cherokee leader John Ross’s marriage to a white woman, Mary Brian Stapler, despite his opposition to interracial marriages in the Cherokee Nation; and the efforts among ordinary people in the imperial borderlands of both the United States and Australia to circumvent laws barring interracial love, sex, and marriage.

Illicit Love reveals how marriage itself was used by disparate parties for both empowerment and disempowerment and came to embody the contradictions of imperialism. A tour de force of settler colonial history, McGrath’s study demonstrates vividly how interracial relationships between Indigenous and colonizing peoples were more frequent and threatening to nation-states in the Atlantic and Pacific worlds than historians have previously acknowledged.

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Mixed-race marriages a reflection of multicultural Blacktown

Posted in Articles, Census/Demographics, Family/Parenting, Media Archive, Oceania on 2015-12-02 20:08Z by Steven

Mixed-race marriages a reflection of multicultural Blacktown

The Daily Telegraph
Surry Hills, New South Wales, Australia
2015-12-01

Nick Houghton

Joanne Vella, Editor
Blacktown Advocate

WHEN Stephen Zahra went on a four-week holiday to Vietnam in 2006, little did he know how life changing the trip would be.

His love for Vietnam inspired him to quit his job and move permanently to the southeast east Asian nation.

It was a decision which would lead him to the love of his life, his wife Dao Nguyen, and the start of his present day life back in Australia as a happily married father of daughter Hayley.

Stephen, a second generation Maltese, and Vietnamese Dao are the changing face of Australian families and the multicultural melting pot which is Blacktown.

“Our wedding day in Ho Chi Minh City was probably the biggest reminder how big the mix of cultures is between Dao and myself,” Stephen said.

“My family flew over for the wedding and despite having no ability to speak Vietnamese with Dao’s family found a way to communicate and make the day truly memorable…

Read the entire article here.

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Race and the Modern Exotic: Three ‘Australian’ Women on Global Display

Posted in Arts, Asian Diaspora, Biography, Books, Media Archive, Monographs, Oceania, Passing, Women on 2015-11-11 03:01Z by Steven

Race and the Modern Exotic: Three ‘Australian’ Women on Global Display

Monash University Publishing
October 2011
180 pages
Paperback ISBN: 9781921867125
eBook ISBN: 9781921867132

Angela Woollacott, Manning Clark Professor of History
The Australian National University

Annette Kellerman, Rose Quong and Merle Oberon were internationally successful ‘Australian’ performers of the first half of the twentieth century. Kellerman was a swimmer, diver, lecturer, and silent-film star, Quong an actor, lecturer and writer who forged a career in London and New York, and Oberon one of the most celebrated film stars of the 1930s and 1940s, first in London and then Hollywood.

Through her international vaudeville performances and film roles, Kellerman played with the quasi-racial identity of South Sea Islander. Quong built a career based on her own body, through a careful appropriation of Orientalism. Her body was the signifier of her Chinese authenticity, the essentialist foundation for her constructed, diasporic Chinese identity. The official story of Oberon’s origins was that she was Tasmanian. However, this was a publicity story concocted at the beginning of her film career to mask her lower-class, Anglo-Indian birth. Despite anxious undercurrents about her exoticism, Australians were thrilled to claim a true Hollywood star as one of their own.

These three women performers created newly modern, racially ambiguous Australian femininities. Racial thinking was at the core of White Australian culture: far from being oblivious to racial hierarchies and constructions, Australians engaged with them on an everyday basis. Around the world, ‘Australian’ stars represented a white-settler nation, a culture in which white privilege was entrenched, during a period replete with legal forms of discrimination based on race. The complex meanings attached to three successful ‘Australian’ performers in this period of highly articulated racism thus become a popular cultural archive we can investigate to learn more about contemporary connections between race, exoticism and gender on the global stage and screen.

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The legend of Merle

Posted in Articles, Arts, Asian Diaspora, Biography, Media Archive, Oceania, Passing, Women on 2015-11-11 02:33Z by Steven

The legend of Merle

The Age
Docklands, Victoria, Australia
2002-08-21


Merle Oberon (1943)

She was one of the most glamorous stars of the 1930s and ’40s. A screen siren with smouldering looks, exotic features and almond-shaped eyes. Merle Oberon was described as graceful and hauntingly beautiful.

On her ascent, in 1939, she captivated the world in the box office Hollywood hit, Wuthering Heights, playing Cathy opposite Laurence Olivier as Heathcliff.

From the other side of the globe, Tasmanians glowed with pride. Oberon, according to a biography that read like a Hollywood film script, had been born in Hobart, the daughter of an upper-class white colonial family. She left Tasmania for India after her distinguished father died in a hunting accident, and was raised there by aristocratic godparents.

If Errol Flynn was the island state’s favourite son, Merle Oberon was its treasured daughter. In 1978, the Hobart Town Hall hosted a function attended by well-known local identities to welcome her back. Decades later, Tasmanians proudly recount stories and anecdotes about the hometown girl who blazed her way to Hollywood. Only Oberon wasn’t born in Tasmania. She was Anglo-Indian

Read the entire article here.

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Ronnie: Tasmanian Songman

Posted in Arts, Autobiography, Books, Media Archive, Monographs, Oceania on 2015-09-26 22:15Z by Steven

Ronnie: Tasmanian Songman

Magabala Books
January 2009
164 pages
240 x 165
Paperback ISBN: 9781921248108

Helen Gee and Ronnie Summers

Musician, storyteller and craftsman, Ronnie Summers recalls the freedom of growing up on Cape Barren Island and how the island’s music shaped his life. He draws on a childhood working the muttonbird islands, a ‘kangaroo court’ prison term as a bewildered teenager, and then turning to alcohol after the death of his baby son. Born an ‘Islander’—not Aboriginal, not white—Ronnie Summers was without race. This story documents his struggle for a place in his own country and echoes that of the Tasmanian Aboriginal community. Includes a CD featuring Cape Barren Island music—a unique blend of Cajun, blues, country and folk.

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