Mixed Race Studies

Panel Discussion: “Mixed Race Asian American Art and Identity”

DePaul University Art Museum
935 W. Fullerton
Chicago, Illinois 60614
Phone: 773-325-7506
Wednesday, 2013-05-29, 18:00 CDT (Local Time)

War Baby / Love Child: Mixed Race Asian American Art

Debra Yepa-Pappan, “Live Long and Prosper (Spock was a Half-Breed),” digital print.

Laura Kina, Vincent DePaul Associate Professor of Art, Media and Design
DePaul University

Camilla Fojas, Vincent DePaul Professor of Latin American and Latino Studies
DePaul University

Debra Yepa-Pappan, Jemez Pueblo and Korean Artist
Chicago, Illinois

This event is cosponsored by the Japanese American Service Committee, DePaul’s Office of Institutional Diversity and Equity President’s Diversity Series, and Latin American and Latino Studies.

For more information, click here.

The JCMRS inaugural issue will be released on Spring,  2013

Journal of Critical Mixed Race Studies
c/o Department of Sociology
SSMS Room 3005
University of California, Santa Barbara
Santa Barbara, California  93106-9430
E-Mail: socjcmrs@soc.ucsb.edu
2012-10-10

The Journal of Critical Mixed Race Studies (JCMRS) is a peer-reviewed online journal dedicated to developing the field of Critical Mixed Race Studies (CMRS) through rigorous scholarship. Launched in 2011, it is the first academic journal explicitly focused on Critical Mixed Race Studies.

JCMRS is transracial, transdisciplinary, and transnational in focus and emphasizes the critical analysis of the institutionalization of social, cultural, and political orders based on dominant conceptions and constructions of ‘race.’ JCMRS emphasizes the constructed nature and thus mutability of race and the porosity of racial boundaries in order to critique processes of racialization and social stratification based on race. JCMRS addresses local and global systemic injustices rooted in systems of racialization.

Sponsored by University of California, Santa Barbara’s Sociology Department, JCMRS is hosted on the eScholarship Repository, which is part of the eScholarship initiative of the California Digital Library. JCMRS functions as an open-access forum for critical mixed race studies scholars and will be available without cost to anyone with access to the Internet.

• “Editor’s Note”—G. Reginald Daniel
• “Emerging Paradigms in Critical Mixed Race Studies”—Laura Kina, Wei Ming Dariotis, G. Reginald Daniel, and Camilla Fojas

Articles

1. “Historical Origins of the One-Drop Racial Rule in the United States”—Winthrop Jordan edited by Paul Spickard
2. “Retheorizing the Relationship Between New Mestizaje and New Multiraciality as Mixed Race Identity Models”—Jessie Turner
3. “Critical Mixed Race Studies: New Directions in the Politics of Race and Representation,” Keynote Address presented at the Critical Mixed Race Studies Conference, November 5, 2010, DePaul University—Andrew Jolivétte
4. “Only the News We Want to Print”—Rainier Spencer
5. “The Current State of Multiracial Discourse”—Molly McKibbin
6. “Slimy Subjects and Neoliberal Goods”—Daniel McNeil

Founding Editors: G. Reginald Daniel, Wei Ming Dariotis, Laura Kina, Maria P. P. Root, and Paul Spickard

Editor-in-Chief: G. Reginald Daniel

Managing Editors: Wei Ming Dariotis and Laura Kina

Editorial Review Board: Stanley R. Bailey, Mary C. Beltrán, David Brunsma, Greg Carter, Kimberly McClain DaCosta, Michele Elam, Camilla Fojas, Peter Fry, Kip Fulbeck, Rudy Guevarra, Velina Hasu Houston, Kevin R. Johnson, Andrew Jolivette, Rebecca Chiyoko King-O’Riain, Laura A. Lewis, Kristen A. Renn, Maria P. P. Root, Stephen Murphy-Shigematsu, Gary B. Nash, Kent A. Ono, Rita Simon, Miri Song, Rainier Spencer, Michael Thornton, Peter Wade, France Winddance Twine, Teresa Williams-León, and Naomi Zack

For more information, click here.

War Baby/Love Child: Mixed Race Asian American Art

University of Washington Press
January 2013
304 pages
63 illustrations, 44 in color, maps
7 x 10 in.
ISBN: 978-0-295-99225-9

Edited by

Laura Kina, Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Wei Ming Dariotis, Associate Professor Asian American Studies
San Francisco State University

Cover art by Mequitta Ahuja

War Baby/Love Child examines hybrid Asian American identity through a collection of essays, artworks, and interviews at the intersection of critical mixed race studies and contemporary art. The book pairs artwork and interviews with nineteen emerging, mid-career, and established mixed race/mixed heritage Asian American artists, including Li-lan and Kip Fulbeck, with scholarly essays exploring such topics as Vietnamese Amerasians, Korean transracial adoptions, and multiethnic Hawai’i. As an increasingly ethnically ambiguous Asian American generation is coming of age in an era of “optional identity,” this collection brings together first-person perspectives and a wider scholarly context to shed light on changing Asian American cultures.

Visit the website here.

Critical Mixed Race Studies Conference 2012 and Mixed Roots Midwest

2012-11-13

Camilla Fojas, (CMRS 2012 organizer) Associate Professor and Chair
Latin American and Latino Studies
DePaul University

Laura Kina, (Mixed Roots Midwest 2012 co-organizer) Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Photo of Mixed Roots Midwest: Filmmakers Panel by Laura Kina.

Presented by DePaul’s Center for Intercultural Programs and co-organized by Fanshen Cox, Chandra Crudup, Khanisha Foster, and Laura Kina, Mixed Roots Midwest featured three evenings of programming that explored what it means to have a mixed identity:

• Nov 1, 2012 Selected Shorts: Silences by Octavio Warnock-Graham, Crayola Monologues by Nathan Gibbs, Mixed Mexican by Thomas P. Lopez, and Nigel’s Fingerprints by Kim Kuhteubl.

• Nov 2, 2012 Filmmakers Panel: Fanshen Cox in conversation with Kim Kuhteubl, Jeff Chiba Stearns, Kip Fulbeck.

• Nov 3, 2012 Live Event – featuring spoken word artists CP Chang, Chris L. Terry and Sage Xaxua Morgan-Hubbard from Chicago’s own 2nd Story along with a preview of Fanshen Cox’s solo-show-in-progress, One Drop of Love and invited Chicago writer Fred Sasaki reading from a manuscript of e-mails called “Letter of Interest.”

News from the 2012 Critical Mixed Race Studies Conference Business Meeting

2012-11-13

Camilla Fojas, (CMRS 2012 organizer) Associate Professor and Chair
Latin American and Latino Studies
DePaul University

Laura Kina, (Mixed Roots Midwest 2012 co-organizer) Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Photo of Eric Hamako at CMRS 2012 by Ken Tanabe.

US Census Report from Eric Hamako

• Nominated by a coalition of Mixed-Race community organizations, Eric Hamako has been selected to serve a two-year term on the US Census Bureau’s National Advisory Committee (NAC) on Racial, Ethnic, and Other Populations.  (See press release.)
• Two matters of particular concern for Multiracial people & Two Or More Races (TOMR) populations.
  1. ADMINISTRATIVE RECORDS: For cost efficiency, the Census Bureau is considering using “Administrative Records” in some cases when a person doesn’t submit information to the Census (e.g., if Jane X doesn’t submit a Census 2020 form and doesn’t respond to follow-up requests, the Census might access other public and private databases that contain info about Jane X, to fill in info about her).  However, currently Census studies indicate that Administrative Records are worse at filling in info about non-Whites than Whites — and are particularly bad at filling in info about people who indicate Two Or More Races (TOMR), ranging from 4%-36% accuracy.  This is largely because many public and private databases do not allow respondents to Mark One or More races.  We need to find ways to improve the accuracy of Administrative Record use.
  2. ALTERNATIVE QUESTIONNAIRE EXPERIMENTS (AQEs): Long before each Census, the Bureau tests out various possible changes, using AQEs.  One of the many changes currently being considered is an option that combines the Race question and the Hispanic ethnicity question into a single question.  This would likely a) increase the accuracy of the count of Latinos, b) increase the number of Latinos who are indicating Two Or More Races, c) reduce the White population count by 6-8%.
• Eric is soliciting community perspectives.  Please review NAC-related documents (see public GoogleDocs folder) and contact Eric at CensusNAC@gmail.com.  Eric is also constructing a blog, “Two or More,” to communicate about the NAC, http://censusnac.blogspot.com/.

Critical Mixed Race Studies Conference 2012 Recap

2012-11-13

Camilla Fojas, (CMRS 2012 organizer) Associate Professor and Chair
Latin American and Latino Studies
DePaul University

Laura Kina, (Mixed Roots Midwest 2012 co-organizer) Associate Professor Art, Media and Design and Director Asian American Studies
DePaul University

Despite being sandwiched between Halloween, Superstorm Sandy, and the presidential elections, over 400 people attended the 2^nd biennial Critical Mixed Race Studies conference, “What is Critical Mixed Race Studies?,” and Mixed Roots Midwest at DePaul University in Chicago November 1-4, 2012. Attendees came from across the United State from Hawaii to New York as well as internationally from Canada, the United Kingdom, Brazil, Australia, and Ukraine and included senior and junior scholars and cultural producers, graduate students, undergraduates, community members, and representatives from community organizations.
 
We would like to thank all of the attendees, participants, organizers, and volunteers for making CMRS 2012 an engaging and memorable conference. A special thanks to the invaluable conference support from DePaul’s Latin American and Latino Studies and our 2012 programming committee: Greg Carter, Michele Elam, Camilla Fojas, Rudy P. Guevarra Jr., and Rainier Spencer. Thank you to our DePaul University co-sponsors: Center for Latino Research (CLR), Center for Intercultural Programs, Global Asian Studies, Latin American and Latino Studies Program (LALSP), Liberal Arts and Social Sciences Dean’s Office, Office of Institutional Diversity and Equity (OIDE), Women and Gender Studies Program, and African American and Black Diaspora Studies.

Click here to view the 2012 CMRS Conference Schedule.
 
Enjoy photos from CMRS 2012
 
Like our new organizational page on Facebook

Journal of Critical Mixed Race Studies Call For Papers
“What is Critical Mixed Race Studies?”

Papers that were presented at the 2012 Critical Mixed Race Studies Conference “What is Critical Mixed Race Studies?” are invited for revision and submission for the second issue of JCMRS. We also welcome papers that speak to specialized research, pedagogical, or community-based interests. JCMRS encourages both established and emerging scholars, including graduate students and faculty, to submit articles throughout the year. Articles will be considered for publication on the basis of their contributions to important and current discussions in mixed race studies, and their scholarly competence and originality.
Visit JCMRS to download the CFP

What’s Next?

The inaugural issue of the Journal of Critical Mixed Race Studies will be published in Jan-Feb 2013. We are in the process of building a dedicated CMRS website, gearing up for the next conference in 2014 (or sooner), and continuing a creative partnership with Mixed Roots Stories (launching in December 2012), and planning to form a CMRS association. Please keep the conversations going through the CMRS Facebook group page and through the CMRS caucus grouops: Latina/os of Mixed Ancestry, the National Association of Mixed Student Organizations, and the newly proposed Queer Caucus. For more information or to get involved contact us at cmrs@depaul.edu.

Scholars fix gaze on changing racial landscape

Chicago Tribune
2012-10-29

Dawn Turner Trice

Laura Kina, 39, is half Asian-American and half white. Her husband is Jewish, and her stepdaughter is half Hispanic. Her family, including her fair-skinned, blue-eyed biological daughter, lives near Devon Avenue in the heart of Chicago’s Indian and Pakistani community.

Kina, who’s a DePaul University associate professor of art, media and design, views her life as a vibrant collage of culture, religion and race, pieced together by chance and choice.

“I grew up in the ‘Sesame Street’ generation,” she said. “This is just my normal.”

On Thursday, Kina and DePaul professor Camilla Fojas will begin a four-day conference on campus that explores the emerging academic field of critical mixed-race studies. Hundreds of scholars and artists from around the country and globe are expected to participate in research presentations, spoken-word performances and discussions.

Kina and Fojas, who hosted a similar conference in 2010, hope to cover an array of topics on identity, discrimination and racial “passing.” Additionally, panels will tackle issues such as the role of the mixed-race person as exotic “everyman” in advertising and film, and the impact of President Barack Obama and Tiger Woods, among others, as biracial icons…

Read the entire article here.

Transnational Crossroads: Remapping the Americas and the Pacific

University of Nebraska Press
2012-06-01
504 pages
1 illustration
Paperback ISBN: 978-0-8032-3795-7

Camilla Fojas, Associate Professor and Director of Latin American and Latino Studies
DePaul University

Rudy P. Guevarra, Jr., Assistant Professor, Asian Pacific American Studies, School of Social Transformation, College of Liberal Arts and Sciences
Arizona State University, Tempe

The twentieth century was a time of unprecedented migration and interaction for Asian, Latin American, and Pacific Islander cultures in the Americas and the American Pacific. Some of these ethnic groups already had historic ties, but technology, migration, and globalization during the twentieth century brought them into even closer contact. Transnational Crossroads explores and triangulates for the first time the interactions and contacts among these three cultural groups that were brought together by the expanding American empire from 1867 to 1950.

Through a comparative framework, this volume weaves together narratives of U.S. and Spanish empire, globalization, resistance, and identity, as well as social, labor, and political movements. Contributors examine multiethnic celebrities and key figures, migratory paths, cultural productions, and social and political formations among these three groups. Engaging multiple disciplines and methodologies, these studies of Asian American, Latin American, and Pacific Islander cultural interactions explode traditional notions of ethnic studies and introduce new approaches to transnational and comparative studies of the Americas and the American Pacific.

Multiracialism on The Real World and the Reconfiguration of Politics in MTV’s Brand During the 2000s

Popular Communication
Volume 8, Issue 2, 2010
pages 132-146
DOI: 10.1080/15405701003676105

Jon Kraszewski, Assistant Professor of Communication
Seton Hall University, South Orange, New Jersery

The Real World’s focus on multiracial identity is part of the MTV’s efforts to rebrand itself as being more tolerant of all political opinions in the 2000s. Post-2000 seasons of The Real World contain two different portraits of multiracialism that appeal to viewers across the political spectrum. The liberalism in these seasons comes from multiracialism functioning as a liberal utopia free of racism, one where fluidity, not hostility, defines race relations. At the same time, these seasons appeal to conservative sensibilities by making multiracial cast members models of neoliberal self-management that conservatives recently have used to justify dismantling the welfare state and civil rights initiatives. While neither the liberal nor the conservative portraits of multiracialism on post-2000 seasons of The Real World appear to be overtly racist, I unearth subtext where The Real World articulates multiracialism to white supremacy and anti-blackness.

The Real World is one of the longest running series in American television history. Premiering in 1992. the series has already completed 22 seasons, and MTV recently contracted for four more. Scholars have interrogated the racial politics of the series, but they have equated race with either blackness, specifically the series’ stereotypical portraits of black masculinity, or tensions between urban blacks and rural whites (Bell-Jordan, 2008; Kraszewski, 2009; Orbe, 1998; Park, 2008). This focus has excluded scholarly engagement with other racial identities on the series. This essay unsettles the scholarly equation of race with blackness in The Real World by exploring the politics of multiracialism on the series in the 2000s. A list of multiracial characters on recent seasons includes Aneesa from The Real World, Chicago; Irulon and Arissa from The Real World, Las Vegas; Adam from The Real World, Paris, and Brianna from The Real World, Hollywood. These cast members has one parent who is black and one who is white. The erasure of these characters from discussions about race relates to a larger omission of mixed-race people from media studies scholarship. In Mixed Race Hollywood, Beltrán and Fojas (2008) write that despite “the veritable explosion of multiracial imagery in Hollywood film and media culture today, there has been little published scholarship to dale on the history or current representation of mixed-race individuals, romances, families, or stars on screen” (p. 2).

Analyzing a long-running series such as The Real World presents methodological and historical problems: a channel undergoes branding changes over the course of 18 years, which…

Read or purchase the article here.

A Review of “Mixed Race Hollywood”

Quarterly Review of Film and Video
Volume 28, Issue 5 (2011)
pages 428-433
DOI: 10.1080/10509200902820589

Delia Konzett, Associate Professor of English
University of New Hampshire

Mixed Race Hollywood, edited by Mary Beltrán and Camilla Fojas. New York: New York University Press, 2008

The problem of the 20th century, W. E. B. Dubois would famously write in 1903, is that of the color line. Over 100 years later, we can unfortunately still say the problem of the 21st century is the color line, particularly our inability to move beyond entrenched binary conceptions of race (white/black or white/nonwhite) and acknowledge the new multiracial contexts that inform our present global, multicultural, and multimedia era. Mixed Race Hollywood is a timely and extremely valuable collection of essays that explores the various facets of the history of mixed race representation in mainstream American film and media.

Such representation has a long and complex tradition in Hollywood, ranging from the notorious depiction of the treacherous mulatto in Birth of a Nation (D. W. Griffith, 1915) and the non-threatening interracial pairing of Shirley Temple and Bojangles Robinson in The Little Colonel (David Butler, 1935) and The Littlest Rebel (David Butler, 1935) to the mixed race love affair in Guess Who’s Coming to Dinner (Stanley Kramer, 1967) that symbolically announced the arrival proper of civil rights. Since the mid 1990s, as the anthology’s editors Mary Beltrán and Camilla Fojas note, there has been a significant cultural shift in mixed race representation as seen in the “veritable explosion of multiracial imagery in…

Read or purchase the article here.