Mixed Race Studies

The American Prejudice Against Color

Northeastern University Press
University Press of New England
2002
224 pp.
5 1/2 x 8 1/2″
EAN: 978-1-55553-545-2

William G. Allen, Professor of Classics
New York Central College

Mary King

Louisa May Alcott

Edited by

Sarah Elbert, Professor Emerita of History
The State University of New York, Binghamton

A compilation of the explosive reactions to interracial love and marriage in antebellum America.

In 1853, William G. Allen, the “Coloured Professor” of Classics at New York Central College, became engaged to Mary King, a student at the coeducational, racially integrated school and daughter of a local white abolitionist minister. Rumors of their betrothal incited a mob of several hundred men armed with “tar, feathers, poles, and an empty barrel spiked with shingle nails.” Allen and King narrowly escaped with their lives, married in New York City, and then fled as fugitives to England and Ireland.

Their love story and brave resistance were recorded in engrossing detail by Allen in two pamphlets-The American Prejudice Against Color: An Authentic Narrative, Showing How Easily the Nation Got into An Uproar (1853) and A Short Personal Narrative (1860). Reproduced here in their entirety, Allen’s forthright, eloquent, and ironic accounts, which include excerpts from abolitionist and anti-abolitionist newspaper reports about the incident, drew renewed threats against the exiled pair as well as support from the couple’s circle of antislavery friends and allies, a diverse group including Harriet Beecher Stowe, Beriah Green, Gerrit Smith, Reverend Samuel J. May, and George Thompson.

The experiences related by Allen vividly illustrate the rampant fears of “amalgamation” that sparked violent protests in antebellum America. He also reveals white abolitionists’ contradictions regarding mixed-race relationships. Also contained in this volume is Louisa May Alcott’s M.L., a fictional tale of interracial love based on her familiarity with the Allen-King episode through her abolitionist uncle, the Reverend Samuel J. May. Alcott’s story was refused by The Atlantic magazine because, she said, it “might offend the dear South.”

An insightful introduction by editor Sarah Elbert places the writings within a historical and cultural context. She details William G. Allen’s notable career as a graduate of the Oneida Institute and as an active abolitionist in the network reaching from New York’s North Star Country through Boston, Canada, England, and Ireland. In exile, William and Mary King Allen, important members of the trans-Atlantic movement, continued their struggle for “free association” and supported their family by teaching poor children in London.

Creole Crossings: Domestic Fiction and the Reform of Colonial Slavery

Cornell University Press
2005
254 pages, 6 x 9
ISBN: 978-0-8014-4384-8 

Carolyn Vellenga Berman
Department of Humanities at
The New School, New York

The character of the Creole woman—the descendant of settlers or slaves brought up on the colonial frontier—is a familiar one in nineteenth-century French, British, and American literature. In Creole Crossings, Carolyn Vellenga Berman examines the use of this recurring figure in such canonical novels as Jane Eyre, Uncle Tom’s Cabin, and Indiana, as well as in the antislavery discourse of the period. “Creole” in its etymological sense means “brought up domestically,” and Berman shows how the campaign to reform slavery in the colonies converged with literary depictions of family life.

Illuminating a literary genealogy that crosses political, familial, and linguistic lines, Creole Crossings reveals how racial, sexual, and moral boundaries continually shifted as the century’s writers reflected on the realities of slavery, empire, and the home front. Berman offers compelling readings of the “domestic fiction” of Honoré de Balzac, Charlotte Brontë, Maria Edgeworth, Harriet Jacobs, George Sand, Harriet Beecher Stowe, and others, alongside travel narratives, parliamentary reports, medical texts, journalism, and encyclopedias. Focusing on a neglected social classification in both fiction and nonfiction, Creole Crossings establishes the crucial importance of the Creole character as a marker of sexual norms and national belonging.

The “Tragic Mulatta” Revisited: Race and Nationalism in Nineteenth-Century Antislavery Fiction

Rutgers University Press
2004
202 pages
Cloth ISBN: 0-8135-3481-X
Paper ISBN: 0-8135-3482-8

Eve Allegra Raimon, Professor, Arts & Humanities
University of Southern Maine

Since its inception, the United States has been intensely preoccupied with interracialism. The concept is embedded everywhere in our social and political fabric, including our sense of national identity. And yet, in both its quantitative and symbolic forms, interracialism remains an extremely elusive phenomenon, causing policy makers and census boards to wrangle over how to delineate it and, on an emblematic level, stirring intense emotions from fear to fascination. In The “Tragic Mulatta” Revisited, Eve Allegra Raimon focuses on the mixed-race female slave in literature, arguing that this figure became a symbolic vehicle for explorations of race and nation-both of which were in crisis in the mid-nineteenth century. At this time, judicial, statutory, social, and scientific debates about the meaning of racial difference (and intermixture) coincided with disputes over frontier expansion, which were never merely about land acquisition but also literally about the “complexion” of that frontier. Embodying both northern and southern ideologies, the “amalgamated” mulatta, the author argues, can be viewed as quintessentially American, a precursor to contemporary motifs of “hybrid” and “mestizo” identities. Where others have focused on the gendered and racially abject position of the “tragic mulatta,” Raimon reconsiders texts by such central antislavery writers as Lydia Maria Child, William Wells Brown, Harriet Beecher Stowe, and Harriet Wilson to suggest that the figure is more usefully examined as a way of understanding the volatile and shifting interface of race and national identity in the antebellum period.

Read an excerpt here.

Neither Black Nor White Yet Both: Thematic Explorations of Interracial Literature

Oxford University Press
ISBN13: 9780195052824
ISBN10: 019505282X
Hardback, 592 pages
March 1997

Werner Sollors, Henry B. and Anne M. Cabot Professor of English Literature and Afro American Studies; Director of the History of American Civilization Program
Harvard University

Why can a “white” woman give birth to a “black” baby, while a “black” woman can never give birth to a “white” baby in the United States? What makes racial “passing” so different from social mobility? Why are interracial and incestuous relations often confused or conflated in literature, making “miscegenation” appear as if it were incest? When did the myth that one can tell a person’s race by the moon on their fingernails originate? How did blackness get associated with “the curse of Ham” when the Biblical text makes no reference to skin color at all?

Werner Sollors examines these questions and others in Neither Black Nor White Yet Both, a new and exhaustively researched exploration of “interracial literature.” In the past, interracial texts have been read more for a black-white contrast of “either-or” than for an interracial realm of “neither, nor, both, and in-between.” Intermarriage prohibitions have been legislated throughout the modern period and were still in the law books in the 1980s. Stories of black-white sexual and family relations have thus run against powerful social taboos. Yet much interracial literature has been written, and this book suggests its pervasiveness and offers new comparative and historical contexts for understanding it.

Looking at authors from Heliodorus, John Stedman, Buffon, Thomas Jefferson, Heinrich von Kleist, Victor Hugo, Aleksandr Sergeevic Puskin, and Hans Christian Andersen, to Lydia Maria Child, Harriet Beecher Stowe, William Wells Brown, Mark Twain, Charles Chesnutt, Kate Chopin, Cirilo Villaverde, Aluisio Azevedo, and Pauline Hopkins, and on to modern writers such as Langston Hughes, Jessie Fauset, Boris Vian, and William Faulkner, Sollors ranges across time, space, and cultures, analyzing scientific and legal works as well as poetry, fiction, and the visual arts, to explore the many themes and motifs interwoven throughout interracial literature. From the etymological origins of the term “race” to the cultural sources of the “Tragic Mulatto,” Sollors examines the recurrent images and ideas in this literature of love, family, and other relations between blacks, whites, and those of “mixed race.”

Sollors’ interdisciplinary explorations of literary themes yield many insights into the history and politics of “race,” and illuminate a new understanding of the relations between cultures through the focus on interracial exchanges. Neither Black Nor White Yet Both is vital reading for anyone who seeks to understand what has been written and said about “race,” and where interracial relations can go from here.

Table of Contents

List of Illustrations
Introduction:
Black–White–Both–Neither–In-Between xv
1. Origins; or, Paradise Dawning 31
2. Natus Æthiopus/Natus Albus 48
3. The Curse of Ham; or, from “Generation” to “Race” 78
4. The Calculus of Color 112
5. The Bluish Tinge in the Halfmoon; or, Fingernails as a Racial Sign 142
6. Code Noir and Literature 162
7. Retellings: Mercenaries and Abolitionists 188
8. Excursus on the “Tragic Mulatto”; or, the Fate of a Stereotype 220
9. Passing; or, Sacrificing a Parvenu 246
10. Incest and Miscegenation 285
Endings 336
Appendix A: A Chronology of Interracial Literature 361
Appendix B: Prohibitions of Interracial Marriage and Cohabitation 395
Notes 411
Selected Bibliography 523
Index 561