Artist Explodes Racial Stereotypes In Shape-Shifting Photographs

Posted in Articles, Arts, Interviews, Media Archive, United States on 2016-12-04 01:33Z by Steven

Artist Explodes Racial Stereotypes In Shape-Shifting Photographs

The Huffington Post
2016-10-20

Priscilla Frank, Arts & Culture Writer


Shulamit Nazarian

“My experience as a person of color is different than others’. I have something to say.”

Artist Genevieve Gaignard grew up in the town of Orange, Massachusetts. Her mother was white, her father black ― one of the first black men to live in the small town. “I was always really aware that we were different,” Gaignard explained in an interview with The Huffington Post.

While Gaignard was well aware of her biracial identity, most of her classmates and neighborhood acquaintances simply saw her as the pale-skinned, redheaded child she was. They assumed, in other words, like the majority of Orange citizens, that Gaignard was white. “I passed along with everyone else,” she said. “I blended in.”

As a kid, Gaignard spent a lot of time in her room. “I was shy, quiet, in my own little world,” she recalled. She would listen to the radio, make collages and plaster magazine cutouts on her wall. She’d also obsessively look into the lives of celebrities like Mariah Carey and Alicia Keys, women who also were both black and white. She studied how they defined themselves, the spaces they occupied and the ways they existed in the world. “I would think, ‘Oh, they get to be black,’ or, ‘They’re kind of passing as white,’” Gaignard said. “I would search for images of their parents, trying to get clues. It’s interesting how media or the industry often decides where someone will fit in.”


“Basic Cable” Shulamit Nazarian

With no outside force to define her, Gaignard was left, like so many young people, feeling undefined. “It was this not knowing how to identify,” she expressed. “Not feeling black enough, not feeling white enough, that was the struggle.”…

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White Model Apologizes After Her Photo Shows Up On Blackhair Magazine

Posted in Articles, Arts, Media Archive, Passing, United Kingdom on 2016-11-23 02:00Z by Steven

White Model Apologizes After Her Photo Shows Up On Blackhair Magazine

The Huffington Post
2016-11-21

Zeba Blay

“I’m very sorry this cover was taken away from a black woman,” she wrote.

Blackhair magazine had some explaining to do after mistakenly featuring a white model rocking afro-textured hair on the cover of its latest issue. The publication, known for offering hair tips and tricks for black and mixed-race women, was called out by a white model Emily Bador who says an old modeling photo of her was used without her permission for the December/January issue of the mag.

In an Instagram post published on Sunday, Bador shared a photo of the cover, writing in a caption that she “deeply and sincerely” apologized for the picture. Bador explained to her over 64,000 followers that the image had been taken three or four years ago when she was around 15 years old, before she had learned about the concept of cultural appropriation and the stigma many black women receive for wearing their hair in its natural state…

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Richard Pryor’s Daughter Opens Up About The Racism Her Family Faced In Beverly Hills

Posted in Articles, Arts, Autobiography, Media Archive, United States on 2016-08-19 00:34Z by Steven

Richard Pryor’s Daughter Opens Up About The Racism Her Family Faced In Beverly Hills

The Huffington Post
2016-08-18

Lisa Capretto
The Oprah Winfrey Network

“I’m a product of this thing that everyone was against.”

When Rain Pryor was born in 1969, her father, Richard Pryor, had already begun transitioning from a relatively mild joke-telling comedian to a fearless, outspoken comic whose routines doubled as raw social commentary. As Pryor’s comedy was shifting, so was the country, moving toward more progressive values. But, as his daughter Rain points out, blatant racism still affected countless families, including her own.

Speaking with “Oprah: Where Are They Now?”, the 47-year-old actress opened up about her childhood, setting the scene for what her interracial family faced during that time in their Beverly Hills community.

“My dad’s Richard Pryor. My mother, Shelley, was a poor Jewish woman,” Rain says. “Imagine, if you will, Beverly Hills in the early ‘70s. Here I am, this mixed-race child [with] my golden skin, my big poufy hair ― because Mom knew nothing about a pressing comb ― [and] my mom’s blond-haired, blue-eyed, looking like Cher, wearing dashikis.”…

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Escaping Whiteness

Posted in Articles, Literary/Artistic Criticism, Media Archive, Passing, Social Justice, United States on 2016-08-07 03:10Z by Steven

Escaping Whiteness

The Huffington Post
2015-07-12

Jennifer Delton, Professor of History
Skidmore College, Saratoga Springs, New York

The exposure of Rachel Dolezal, a white woman passing for black, was just a blip in a year of more urgent stories about race in the United States. Indeed, many expressed annoyance that the story was given so much play, in light of more serious injustices. But the interest in Dolezal’s story was not just crass sensationalism. The issues it raises should concern anyone who has tried to understand what exactly constitutes “race” in the United States and, more specifically, whether one can escape or overcome the race one was born into.

The question asked over and over about Dolezal’s deception was: Why would anyone want to be black??? Why would someone give up the privileges of being white in America and willingly embrace the disadvantages that come with being black? People asked this as if it were truly perplexing, but why on earth would anyone want to be identified with a race that practiced a brutal form of slavery for over two hundred years, then set up a system of segregation and discrimination bolstered by white terrorism and an ideology of white supremacy, the effects of which still linger today despite legislative attempts to overcome them? Who wants that as their “racial heritage?” Who wouldn’t give up their privilege if they could escape that burden?…

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What Scientists Mean When They Say ‘Race’ Is Not Genetic

Posted in Articles, Health/Medicine/Genetics, Media Archive on 2016-07-20 21:07Z by Steven

What Scientists Mean When They Say ‘Race’ Is Not Genetic

The Huffington Post
2016-02-09

Jacqueline Howard, Senior Science Editor

A new paper explains why it can be dangerous to think otherwise.

If a team of scientists in Philadelphia and New York have their way, using race to categorize groups of people in biological and genetic research will be forever discontinued.

The concept of race in such research is “problematic at best and harmful at worst,” the researchers argued in a new paper published in the journal Science on Friday.

However, they also said that social scientists should continue to study race as a social construct to better understand the impact of racism on health.

So what does all this mean? HuffPost Science recently posed that question and others to the paper’s co-author, Michael Yudell, who is associate professor and chair of community health and prevention at the Dornsife School of Public Health at Drexel University in Philadelphia…

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“I think the media does a great job of wanting to silo who we are as Americans.”

Posted in Excerpts/Quotes on 2016-07-10 01:52Z by Steven

“I think the media does a great job of wanting to silo who we are as Americans… They’re like, ‘Oh, that’s the immigrant issue, that’s the African-American issue, that’s the Asian issue.’ No, it’s us. And until we understand that we have a vested interest in all these different topics we can’t actually come together with an American agenda.” —Maria Teresa Kumar

Carolina Moreno, “Voto Latino CEO On Why Police Violence Against Latinos Isn’t In The News,” The Huffington Post, July 8, 2016. http://www.huffingtonpost.com/entry/voto-latino-ceo-on-why-police-violence-against-latinos-isnt-in-the-news_us_577f9fa5e4b0c590f7e8df88.

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Your Blackness Isn’t Like Mine: Colorism And Oppression Olympics

Posted in Articles, Media Archive, Social Justice, United States on 2016-07-02 01:38Z by Steven

Your Blackness Isn’t Like Mine: Colorism And Oppression Olympics

The Huffington Post
2016-06-28

Sil Lai Abrams

Monday night, actor and activist Jesse Williams gave a powerful speech at the BET Awards upon receiving the Humanitarian Award, during which he spoke eloquently, passionately, and dare I say — even lovingly to the audience of millions. I have seen hundreds of awards show acceptance speeches and Williams was the first Black man I witnessed stand up and acknowledge the sacrifices of Black women on this type of platform. In fact, through this speech he acknowledged damn near everyone, from “activists,” to “the civil rights attorneys, the struggling parents, the families the teachers, the students, that are realizing that systems built to divide and impoverish us cannot stand if we do.” He called out the names of those who have been killed by the police and railed against cultural appropriation and exploitation by White media corporations.

Williams’ speech was profound and emblematic of what it means to be “truly woke,” yet for some it wasn’t enough. While many tweeted their adoration for his message, there was a vocal group of people expressing their frustration that Williams — a light-skinned, biracial Black man, was being given center stage as “the face” for the Black Lives Matter movement. While criticizing his appearance, they conveniently ignored that there are plenty of prominent Black folks with darker complexions who haven’t said a damn thing their entire lives about social justice, stars with platforms even bigger than Williams…

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On The Free State Of Jones

Posted in Articles, Book/Video Reviews, History, Media Archive, Mississippi, Slavery, United States on 2016-06-20 22:47Z by Steven

On The Free State Of Jones

The Huffington Post
2016-06-20

Steven Hahn, Roy F. and Jeannette P. Nichols Professor of History
University of Pennsylvania

Three quarters of a century ago, “Gone with the Wind,” a film that mythologized an Old South of wealthy planters and obedient slaves, premiered in Atlanta amidst great fanfare and public interest. This week, a very different sort of film about the South of the Civil War and Reconstruction era – “Free State of Jones” — will have its premiere, and as we commemorate the 150th anniversary of the War and Reconstruction and struggle through our own time of social and racial divisiveness, the public would do very well to take the film’s measure.

That is because “Free State of Jones,” challenges our many misconceptions of the Civil War and Reconstruction and can promote a dialogue about what may have been possible more than a century ago – and what is very much possible in our own day. “Free State of Jones” is based on a true story of interracial resistance to the Confederacy in Civil War Mississippi. It is the story of how a white farmer from humble origins named Newton Knight came to see how the Confederacy favored the rich planters at the expense of men and women like himself and chose to organize a rebellion aimed at establishing a terrain of freedom, a “free state,” in the county of Jones

…But Newton Knight eventually went further still. The strongest resistance to the Confederacy came, not from poor white folk, but from those who were destined to be its main victims: the slaves. In Mississippi and elsewhere in the Confederate South, they took the opportunity of the War to flee their plantations and farms, head to Union lines, or form maroons in swamps and remote woodlands, denying slaveholders the labor and submission that had been expected. During his own battles with the Confederacy in rural Jones County, Knight forged alliances with African Americans, most specifically a slave named Rachel with whom he developed an intimate relationship and eventually raised a family…

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9 Famous Faces On The Struggles And Beauty Of Being Afro-Latino

Posted in Articles, Arts, Latino Studies, Media Archive, United States on 2016-06-19 00:03Z by Steven

9 Famous Faces On The Struggles And Beauty Of Being Afro-Latino

The Huffington Post
2016-02-18

Carolina Moreno, Editor

Afro-Latinos face many challenges when it comes to identity, particularly when people refuse to believe that being Black and Latino aren’t mutually exclusive experiences.

The Latino identity denotes an ethnicity, which means that Latinos exist in every color and race imaginable — and explaining the difference between race and ethnicity can be quite a cumbersome task to take on on a daily basis. And yet, many Afro-Latinos are often forced to do so after being told they’re not “Latino enough” or being asked to choose between being Black and Latino.

While many Latino actors have been brutally honest about the limitations that come with working in a predominately white industry, Afro-Latino celebrities often face even tougher challenges in Hollywood and beyond.

Take a look at what Laz Alonso (“The Mysteries of Laura”), Tatyana Ali (“Fresh Prince of Bel-Air”) and more famous Afro-Latinos have said about being Black and Latino…

Read the entire article here.

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A Brazilian Artist’s ‘Self-Portraits’ Explore The Beauty Of Interracial Identity

Posted in Articles, Arts, Brazil, Caribbean/Latin America, Identity Development/Psychology, Media Archive on 2016-06-18 23:46Z by Steven

A Brazilian Artist’s ‘Self-Portraits’ Explore The Beauty Of Interracial Identity

The Huffington Post
2016-06-17

Katherine Brooks, Senior Arts & Culture Editor

In honor of mestizaje, Adriana Varejão paints herself donning the markings and ornamentation of Native Americans.

In 1976, a Brazilian census asked citizens of the country — for the very first time — to describe and identify their own skin color.

This was a significant moment for the former European colony, now considered one of the most ethnically diverse nations in the world, that’s historically struggled with discriminatory policies that disproportionately affect African descendants and interracial people. Though it may have been used for more nefarious purposes at the time, the census was a small step in affirming the many identities that exist in Brazil, wedged in the massive gap between black and white.

The survey produced over 130 different skin color descriptions, ranging from “Morena-roxa” (purplish-tan) to “Café-com-leite” (milky coffee) to “Queimada-de-sol” (sun-kissed). Fast forward a few decades, and Brazilian artist Adriana Varejão became transfixed with the multitude of colors expressed in the census, interested in the ways it illustrated — in sensual detail — the beauty of mestizaje, or the mixing of ancestries, in her home.

So in 2014, Varejão, who lives and works in Rio de Janeiro, created “Polvo,” a series of self-portraits that explore the diversity of identity in Brazil using a paint palette inspired by the 1976 census. First, she mixed oil paints herself, reproducing colors like “Amarela-quemada” (burnt yellow or ochre) and “Paraíba” (like the color of marupa wood) as pigments. Then, she painted her own image, over and over, in a variety of browns, pinks, blacks and whites; a reflection of the many ways Brazilian self-definition takes form…

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