Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial. Ralina L. Joseph. [Cannon]Posted in Articles, Book/Video Reviews, Communications/Media Studies, Media Archive, United States on 2014-07-11 06:58Z by Steven
MELUS: Multi-Ethnic LIterature of the United States
Volume 39, Issue 3 (Fall 2014)
Sarita Cannon, Associate Professor of English Language and Literature
San Francisco State University
Transcending Blackness: From the New Millennium Mulatta to the Exceptional Multiracial. Ralina L. Joseph. Durham: Duke University Press, 2012. 248 pages. $84.95 cloth; $23.95 paper.
Ralina L. Joseph’s timely book about representations of multiracial black women in popular culture makes a significant contribution to the growing field of critical mixed-race studies. Drawing on research in various fields, Joseph closely reads four texts produced between 1998 and 2008: Showtime’s television series The L Word (2004-09), Danzy Senna’s coming-of-age novel Caucasia (1998), Alison Swan’s independent film Mixing Nia (1998), and the reality competition show America’s Next Top Model (2003-present). Joseph examines representations of black mixed-race subjectivity in these texts through two tropes: the new millennium mulatta and the exceptional multiracial. These two very different archetypes of multiracial identity are nonetheless linked by a common desire to transcend blackness, a proposition that Joseph argues is deeply troubling in twenty-first-century America, where, although many proclaim that affirmative action is no longer necessary, structural inequalities between blacks and whites remain entrenched.
One of Joseph’s central claims in Transcending Blackness is that popular representations of black mixed-race women fall into one of two categories. The new millennium mulatta is, in many ways, a revision of the tragic mulatta figure, made popular in films such as The Birth of a Nation (1915) and Imitation of Life (1959). According to Joseph, the new…
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