|Articles, Arts, Media Archive, United States on 2017-02-18 20:10Z by Steven|
The New York Times
Jordan Peele, who is making his directorial debut with the horror film “Get Out.” Credit Elizabeth Weinberg for The New York Times
The sketch comedian takes on racial politics and the “liberal elite” in his debut feature, the horror movie “Get Out.” Here, he talks about his life and work.
No serious fan of the sketch comedy show “Key & Peele” will be surprised that Jordan Peele (the shorter half of its starring duo) is making his directorial debut with a horror film. Their acclaimed Comedy Central series may have been best known for President Obama’s “anger translator,” but it often lampooned scary movies with a specificity that could come only from a connoisseur of things that go bump in the night. (No one has made a funnier parody of “The Shining.”)
In his new movie, “Get Out,” he plays the scares straight, writing and directing the rare horror movie that tackles racial politics head on. In a scenario that has been described as “The Stepford Wives” meets “Guess Who’s Coming to Dinner,” Chris (Daniel Kaluuya), an African-American photographer, is about to meet his white girlfriend’s parents for the first time when he’s rattled to learn that she has not told them he is black. His anxiety increases when her father goes out of his way to tell him that he would have voted for Mr. Obama for a third term and when the forced smiles of the parents’ exclusively black servants start seeming a little uncanny. Racial micro-aggressions and ominous signs (bad dreams, dead animals) mount, as this fish-out-of-water story takes a foreboding turn…
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