Pardo is the New Black: The Urban Origins of Argentina’s Myth of Black Disappearance

Posted in Articles, Caribbean/Latin America, History, Media Archive, Politics/Public Policy on 2021-08-02 14:33Z by Steven

Pardo is the New Black: The Urban Origins of Argentina’s Myth of Black Disappearance

Global Urban History
2016-12-19

Erika Edwards, Associate Professor of History
University of North Carolina, Charlotte


Bernardino Rivadavia, Argentina’s first president (1826-27) was nicknamed “Doctor Chocolate.” Painting by Mirta Toledo, 2013

It was a typical day, nothing out of the ordinary. I, a young, small-town girl had landed in a foreign country to begin my study abroad. I knew nothing about Argentina and was excited to discover the country. It did not take long for me to realize that my experience would be life changing. Black in a very white country, I stood out like a sore thumb. I was the “other.” At first I was uncomfortable, but then, I realized that my blackness was not the same in Argentina as in the United States. My blackness meant something else. I was exotic, if not exceptional, and surprisingly I was not black! Instead I was morocha (a non-offensive term referring to darker skin). How could that be? I had transformed into a lighter version of myself. As I grew accustomed to being called morocha, I could not help wondering who constituted a morocha. Over time the answer became apparent: anyone who was not white. Other countries had mestizos (Indian and white mixture/descendant), or mulattos (black and white), but Argentina had grouped African and Indian descendants and people with tanned skin tones, often descendants of immigrants from Mediterranean countries, into a single category. Argentines proclaimed there “were no blacks in their country,” but the country certainly had a lot of morochos! Despite the lack of African descendants’ visibility today, in 1778 they had a significant share of the national population. Concentrated in cities, African descendants amounted to 44 percent of the inhabitants of the provincial city of Córdoba, for instance.[1] The decline of this population a national question for Argentina, whose black population dwindled from roughly 30 percent of the total population to 0.37 percent according to the 2010 census…

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Historical Reformer – Lemuel Haynes

Posted in Articles, Biography, History, Media Archive, Religion, United States on 2021-08-01 22:39Z by Steven

Historical Reformer – Lemuel Haynes

Nations
2021-12-20

Thaddeus Tague

The First Black Pastor in American History

On April 19th, 1775 – war was coming to Lexington, Massachusetts. The 77 hastily armed colonists arrived first. The sun began to rise, and with it came the sound of a marching war machine. The militaristically-naked colonists gaped at the more than 700 redcoats that faced them, weapons drawn. A sneering British major had approached within shouting distance and yelled, “Throw down your arms! Ye villains, ye rebels.” Within moments, firing started on both sides. Eight colonists lay dead. The British force advanced and set fire to the town. As soon as they advanced beyond the town however, they were met with the veritable thousands of “minutemen” who had assembled nearby. Quickly deployed and burning to protect their freedom, the minutemen overwhelmed the British force. In the days after, thousands more men were recruited in the local region. One of these men was a newly freed slave named Lemuel Haynes. A passionate Christian and Calvanist, Lemuel helped fight and tend to the wounded during the subsequent engagements. Seeing the blood and combat on the following few days – he vowed in his heart that he would fight to extend freedom and liberty to all men and women in the new colonies

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‘Spy In The House Of Race’: A Daughter Of Black, Chinese, And Jewish Parents On Belonging Everywhere And Nowhere

Posted in Articles, Asian Diaspora, Autobiography, Media Archive, United States on 2021-08-01 22:28Z by Steven

‘Spy In The House Of Race’: A Daughter Of Black, Chinese, And Jewish Parents On Belonging Everywhere And Nowhere

LAist
Southern California Public Radio
Pasadena, California
2021-05-14

Lili Nadja Barsha


Lili Barsha, left, as a child with her parents, Tony and Yen, and younger brother Jake.
(Courtesy of Lili Barsha)

I’m an American of African, Asian, European, and Native descent.

I’ve lived all over the world and have been taken for many things. I describe myself as multi-racial, Mixed in America, blended. I tend to reject the hyphen — I see it as a little plank that walks us off our citizen ship. By us, I mean we people of color other than white. I have too many planks to walk as a Black, white, red, yellow — therefore, tan — American.

I’m nobody’s All-American, a spy in the house of race.

Ethnicity shapes what I eat, what music I listen to, what I read, and who I keep as company. It defines culture, family, history, and aesthetics.

I am the bloom of my ancestors. A vessel filled with genetic memory. That, and memories of otherness. Here are some of them…

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The Spectacle of Latinx Colorism

Posted in Articles, Latino Studies, Media Archive, Social Science, United States on 2021-08-01 22:17Z by Steven

The Spectacle of Latinx Colorism

The New York Times
2021-07-30

Karla Cornejo Villavicencio


Tina Tona

This summer’s controversy over the underrepresentation of dark-skinned Afro-Latinos in “In the Heights,” the Hollywood adaptation of the Broadway musical, laid bare the cancer of colorism in Latinx communities in the United States. The reckoning was long overdue, a pain that goes back as long as our community has existed. And the mainstream media was enraptured. It created what I think of as the spectacle — el espectáculo. I haven’t seen as high a demand for Latinx voices since the Pulse shooting.

Latinidad” is the shared language, childhood references, music, food, inside jokes and idiosyncratic TV Spanglish among the Latinx in this country. It is the sameness that unites us no matter where we grow up, and no matter where our parents were from. But the idea of sameness can devastate as much as it can connect. An open wound in this world of Latinx has been the shame around darkness, our own and that of our family and neighbors and compatriots. According to media by us or for us, dark-skinned Afro-Latinos do not exist and if they do, they aren’t Latino. Not really

Read the entire essay here.

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Racial Identity Choice and its Consequences: A Study on Elizabeth Alexander’s Race

Posted in Articles, Literary/Artistic Criticism, Media Archive, Passing on 2021-07-22 02:35Z by Steven

Racial Identity Choice and its Consequences: A Study on Elizabeth Alexander’s Race

Annual International Conference on Language and Literature
Medan, Indonesia
2020-11-04 through 2020-11-05
Published 2021-03-11
Pages 17-27
DOI: 10.18502/kss.v5i4.8661

Nur Saktiningrum
Department of English
Gadjah Mada University of Yogyakarta, Indonesia

Race, as people understand it, is something that you were born with. One was born with specific physical features that by social construction, define one’s race. What if a person was born with physical features that enable him to choose whether to embrace the race defined by blood or the one defined by social construction? And are there any consequences of the choices made? This research studies the choice made by mulatto to pass as white and the consequences following the decision. The focus of the study is a poem written by Elizabeth Alexander entitled Race (2001). To answer the abovementioned questions, the poem is analyzed using a new historical approach. The approach enables the researcher to understand the historical background of and the author’s perspective on racial passing depicted in the poem and its relation to the reality of racial passing in American society. The results show that there are external and internal factors that make it possible for an individual to pass as a member of a different race from what he was. The external factors include the biological taxonomy that identifies him as belonging to a dominant race and the social construction that classifies people based on their physical features. The internal factor is the passer’s belief that by assuming a new racial identity, he will be able to lead a better life and be relieved from the oppression of the dominant race. Despite the privilege and opportunity that the new racial status can offer, racial passing can also bring some disadvantages such as the loss of the sense of belonging to the old racial identity, the feeling of insecurity, and the possibility of being disowned by one’s family.

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J.P. Morgan’s personal librarian had two identities. It took two authors to tell her story.

Posted in Articles, Biography, Interviews, Media Archive, Passing, United States, Women on 2021-07-20 02:20Z by Steven

J.P. Morgan’s personal librarian had two identities. It took two authors to tell her story.

The Washington Post
2021-06-28

Natachi Onwuamaegbu


“The Personal Librarian” co-authors Heather Terrell, writing as Marie Benedict, and Victoria Christopher Murray. (Phil Atkins)

Historical fiction writer Heather Terrell (who also writes under the name Marie Benedict) was introduced to Belle da Costa Greene between bookshelves at New York’s Morgan Library over 20 years ago. The docent — whom she has tried to find since — told her about a Black woman who passed as White and worked as J.P. Morgan’s personal librarian in the early 1900s. Terrell wasn’t yet writing historical fiction about women — she was a lawyer — but the story lingered in the back of her head.

Once she read Black author Victoria Christopher Murray’s work two years ago, she knew she found the partner she was waiting for to tackle da Costa Greene’s story. To write about a Black woman who passed as non-Black with an author she had never met was a process, especially when the editing coincided with the murder of George Floyd by a Minneapolis police officer and a pandemic.

The Washington Post talked to Terrell and Murray about what it was like to work on “The Personal Librarian” when so much of the world was falling apart…

Read the entire interview here.

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J.P. Morgan’s librarian hid her race. A novel imagines the toll on her.

Posted in Articles, Biography, Book/Video Reviews, History, Media Archive, Passing, United States, Women on 2021-07-17 00:53Z by Steven

J.P. Morgan’s librarian hid her race. A novel imagines the toll on her.

The Christian Science Monitor
2021-06-29

Heller McAlpin, Correspondent


Library of Congress
Belle da Costa Greene, shown in 1929, curated rare books for mogul J.P. Morgan. She was the first director of the Morgan Library.

Some books leave you wondering why the author has chosen to tell this particular story, and why now. This is emphatically not the case with “The Personal Librarian,” a novel about the woman who helped shape the Morgan Library’s spectacular collection of rare books and art more than a century ago. It quickly becomes clear why two popular authors, Marie Benedict and Victoria Christopher Murray, have teamed up to tell this important, inspirational story.

Belle da Costa Greene’s success in the almost exclusively male world of art and rare book dealers was an unusual feat for a woman in the early 20th century. But what makes it even more extraordinary – and such rich material for historical fiction – is the secret she harbored throughout her long career: She hailed from a prominent, light-skinned Black family, many of whose members had chosen to pass as white.

“The Personal Librarian” reminds readers that this decision was not made lightly. After the U.S. Supreme Court struck down the Civil Rights Act in 1883 – a ruling that ushered in Jim Crow segregation and gave white supremacy and racial discrimination legal cover, the ramifications of which are felt to this day – few opportunities were open to anyone classified as nonwhite…

Read the entire book review here.

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Elizabeth Miki Brina: “The historical and the personal are intertwined.”

Posted in Articles, Asian Diaspora, Autobiography, Biography, Interviews, Media Archive, United States on 2021-07-17 00:10Z by Steven

Elizabeth Miki Brina: “The historical and the personal are intertwined.”

Guernica
2021-05-10

Elizabeth Lothian, Digital Director


Photo credit: Thad Lee

The author of Speak, Okinawa talks about learning her family history, writing from guilt, and questioning her father’s values.

Elizabeth Miki Brina’s debut memoir Speak, Okinawa is a nuanced investigation of self, lineage, and inheritance. Born in the 1980s to an Okinawan mother and a white, American, ex-military father, Brina struggled with the duality of her identity. She connected more with her father—the dominant force in her family triad—often in an attempt to fit in with the 99 percent white suburb in which she grew up, and this made her feel distant from her already isolated mother.

It is only years later, after moving out of her parents’ enveloping orbit, that Brina comes to question why she feels so disconnected from her mother and Okinawan ancestry. She then sets out to explore her heritage—half that of the colonized and half that of the colonizer. We take this journey with her as she recounts the history of Okinawa. These chapters, voiced brilliantly in the first person plural “we,” tells the reader of Okinawa’s conquest by China and Japan, the horrors it faced in World War II—nearly a third of its population was killed in one battle alone—and the subsequent US military occupation of the island, which continues to this day.

As Brina learns the history of her maternal lineage, she comes to better understand not just her mother but herself. She is then forced to reckon with the role her father played in dictating her worldview and to try and unknot how America, as both a political entity and a cluster of ideals, has marginalized other ways of being…

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Radio Diaries: Harry Pace And The Rise And Fall Of Black Swan Records

Posted in Articles, Arts, Audio, Biography, History, Media Archive, Passing, United States on 2021-07-16 18:20Z by Steven

Radio Diaries: Harry Pace And The Rise And Fall Of Black Swan Records

All Things Considered
National Public Radio
2021-07-01

Nellie Gilles, Managing Producer at Radio Diaries at Radio Diaries

Mycah Hazel, Radio Diaries Fellow


Harry Pace started the first major Black-owned record label in the U.S., but his achievements went mostly unnoticed until recently, when his descendants uncovered his secret history.
Courtesy of Peter Pace

A century ago, around the dawn of the Harlem Renaissance, New York City was brimming with music. Black artists like Eubie Blake, Florence Mills and Fats Waller were performing in dance halls and nightclubs including Edmond’s Cellar and The Lincoln Theatre.

“Every block between 110th Street and 155th Street buzzed with creative energy,” says journalist Paul Slade, author of Black Swan Blues: the hard rise and brutal fall of America’s first black-owned record label.

Despite that energy, when it came to recording and selling music by Black artists, the opportunities were limited. White-owned record labels — Columbia, Victor, Aeolian, Edison, Paramount — recorded few Black artists at the time, and when they did, it was often limited to novelty songs and minstrelsy.

“They were making a fortune off these negative portrayals of Black people,” says Bill Doggett, a specialist in early recorded sound.

Okeh Records was one of the first labels to break the mold. Perry “Mule” Bradford, a Black composer, pushed Okeh to record Mamie Smith and her song “Crazy Blues” in 1920. The record was a hit and entrepreneur Harry Pace took notice…

Read the entire story here.

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Study: Let’s Replace ‘Ancestry’ in Forensics With Something More Accurate

Posted in Articles, Health/Medicine/Genetics, Media Archive on 2021-07-15 18:52Z by Steven

Study: Let’s Replace ‘Ancestry’ in Forensics With Something More Accurate

North Carolina State University News
Raleigh, North Carolina
2021-07-14

Matt Shipman, Research Communications Lead

A new study finds forensics researchers use terms related to ancestry and race in inconsistent ways, and calls for the discipline to adopt a new approach to better account for both the fluidity of populations and how historical events have shaped our skeletal characteristics.

Forensic anthropology is a science, and we need to use terms consistently,” says Ann Ross, corresponding author of the study and a professor of biological sciences at North Carolina State University. “Our study both highlights our discipline’s challenges in discussing issues of ancestral origin consistently, and suggests that focusing on population affinity would be a way forward.”

Race is a social construct – there’s no scientific basis for it. Population affinity, in the context of forensic anthropology, is determined by the skeletal characteristics associated with groups of people. Those characteristics are shaped by historic events and forces such as gene flow, migration, and so on. What’s more, these population groups can be very fluid…

Read the entire news release here.

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