Mixed Race Studies

No Silence on Race

Be’chol Lashon
2021-10-19

Team Be’chol Lashon

No Silence on Race is a movement born of the necessity for both racial equity and inclusivity within Canadian Jewish spaces.

This month Periphery, an exhibition about Jews of Color (JOC) opened in Toronto, Canada. A collaboration between the group No Silence on Race and the Ontario Jewish Archives, Periphery shares the voices and faces of Canadian Jews who are often not seen in the mainstream presentations of Jewish life. We at Be’chol Lashon sat down with members of the No Silence on Race team to learn more about them and their work.

Team Be’chol Lashon: Tell us a little about yourselves

The No Silence on Race core team is Sara Yacobi-Harris, Akilah-Allen Silverstein and Yoni Belete. We are 3 young professionals based in Toronto, Canada…

Read the entire interview here.

Race and Racism: When Racial Passing Becomes Racial Fraud

Virtual event on Zoom
Rotman Institute of Philosophy, Western University
London, Ontario, Canada
Thursday, 2021-10-14, 19:00-20:30 EDT (2021-10-14, 23:00-00:30Z)

Meena Krishnamurthy, Assistant Professor
Department of Philosophy
Queen’s University, Kingston, Ontario, Canada

In the past year and a half, race and racism have been at the forefront of many people’s minds because of widespread Black Lives Matter protests and the disproportionately negative impact that the COVID-19 pandemic has had on certain racialized communities. But the underlying phenomenon is not only recent. For centuries, racialized communities across North America have faced social and environmental injustices. This series of public lectures examines the topics of race, racism, and environmental justice. It will include philosophical discussions about what race is, of how to and how not to respond to racism (e.g., through practices of “racial fraud” or racial passing), of racism as a source of vaccine hesitancy, and of environmental injustices that afflict Indigenous communities in Canada.

The 2021 philosophy lecture series, Race and Racism, is prepared in partnership with the Rotman Institute of Philosophy, the Department of Philosophy at Western University, and the London Public Library. Additional support for the talk by Deborah McGregor has been generously provided by the Faculty of Law at Western University.

Each talk will begin with a presentation by the speaker, lasting approximately 60 minutes. Rotman Institute Associate Director, Eric Desjardins, will act as host and ask the speaker a number of follow-up discussion questions. Registered attendees will have the option to ask additional questions live via Zoom, or to submit questions in advance via email. We look forward to having an engaging discussion with everyone in attendance in this online setting!

• I. Scenes of Racial Passing
  1. Brit Bennett’s Vanishing Half – Stella
  2. HBO’s “Lovecraft Country” – Ruby
  3. Rev. Jesse Routte
  4. Walter White
  5. Ellen Craft
  6. John Redd/Korla Pandit
• II. Ethics of Racial Passing
  1. Fooling as a skill
  2. = politically virtuous
     • a. Why? Challenges racial oppression
• III. Ethics of Racial Fraud
  1. Jessica Krug
     • a. Not skilled
     • b. Not for a just cause
     • c. Politically vicious
     • d. Why? Entrenches racial oppression
  2. Counter examples?
     • a. John Howard Griffin, Black Like Me
     • b. Grace Halsell, Soul Sista
• IV. Murky Waters
  1. Stella revisited

For more information, click here.

Defying Categories: An Interview with Hollay Ghadery

White Wall Review
Toronto, Ontario, Canada
2021-09-13

Rosabel Smegal and Isobel Carnegie, Managing Editors

“A lot of people are saying I’m brave for writing this,” Hollay Ghadery tells us, grinning through the screen. “But I wish it wasn’t seen as so brave. I wish it was the way everyone was, or felt comfortable being.”

Brave is just one of the words that Ghadery’s memoir Fuse has been called since its publication by Guernica Editions in May 2021. Other words include: edgy, powerful, raw, and profoundly honest. Written in short, thematic vignettes, Fuse follows the experiences of a young woman of Iranian and British Isle descent growing up in a biracial and bicultural household in small-town Ontario. Ghadery is as honest as her prose is lyrical, unpacking her mental health journey and lifelong struggles with substance abuse, eating disorders, and anxiety. The memoir jumps back and forth through time as Ghadery tells powerful stories from her first (and only) night in a brothel to being unable to fluently communicate with her Farsi-speaking aunts and living with OCD. Meditating on the complexities of the biracial female body, Ghadery challenges traditional, clear-cut ideas about identity, motherhood, and family.

Ghadery studied English Literature and holds a Master’s of Fine Arts in Creative Writing from the University of Guelph. For several years, she worked in freelance and corporate writing but now, as a mother of four, she devotes her time to writing creatively. Her poetry, short stories, and non-fiction have been published in various literary journals including The Malahat Review, Grain, Understorey, The Antigonish Review, The Fiddlehead, and Room. She has also written for White Wall Review, publishing a review of Anna Van Valkenber’s Queen and Carcass in April 2021 that you can read here.

We were fortunate enough to sit down with Ghadery over Zoom this summer and chat about writing authentically, navigating Biracial Identity Disorder, and defying categories. Much like her memoir, she was open and honest and so willing to share…

Read the entire interview here.

Tamarind Sky, a Novel

Inanna
2020-10-15
412 pages
Paperback ISBN: 978-1-77133-733-5
ePUB ISBN: 978-1-77133-734-2
PDF ISBN: 978-1-77133-736-6

Thelma Wheatley

When British immigrant Selena Jones marries Aidan Gilmor, a Sinhalese-Eurasian — part British — from Sri Lanka in the 1960s in Toronto, a passionate clash of culture ensues. Selena’s mother in Wales is horrified when Selena brings Aidan home to Wales for the wedding. Back in Toronto, Selena faces further prejudice and disapproval of her “mixed marriage,” despite Pierre Elliott Trudeau’s new “multiculturalism,” which was being encouraged but also resented. She is shocked not only by the reaction of neighbours but by the teachers at the all-White school in Toronto where she teaches, and she pretends that Aidan is a White Canadian. When two poor West Indian and two East Indian children from a new government housing project nearby unexpectedly arrive at the school, Selena is forced to take a stand in their defence. Gradually she learns to face her fears and confront racism. She is drawn into a deeper understanding of her Sri Lankan family, and especially of her father-in-law, a former tea planter under the British, who left Ceylon after Independence in 1956. She sees the effect of colonialism on Aidan and his family, trying to be “British” while caught in the middle of the civil war conflict in Sri Lanka. The revelation of her father-in-law’s secret guilt about the past leads to an inevitable and shocking climax.

The Wig-Maker

New Star Books
2021-03-11
128 pages
6×9 inches
Paperback ISBN: 9781554201716

Janet Gallant and Sharon Thesen

A powerful tale of violence, grief, resilience, and transformation, told in the voice of Janet Gallant, transcribed and lineated as a long poem by Sharon Thesen, The Wig-Maker gathers and weaves together themes and incidents that accumulate toward “the moan” of racism, sexual abuse, maternal abandonment, suicide, mental illness, and addiction.

Though the subject-matter ranges from a lengthy first-person account of sufferings both personal and cultural, historic and current, the pulse of the telling ultimately led to healing and reconciliation. Almost by magic — certainly with the assistance of the uncanny — the 18-month long process of Gallant’s telling/Thesen’s listening-writing resulted in Gallant’s discovery of her true genetic, and social, identity. In the early part of her story Janet longs to know the reasons that her mother abandoned the family when Gallant was three years old, leaving four young children with their abusive father. She also wants to know what turned her father into “the monster” he had become. Her mother, Valerie Johnson, is Black and grew up in the Black community of Wildwood, Alberta; her Canadian serviceman father, Tom McCrate, grew up in Irish-Catholic poverty in Nova Scotia. As a biracial child, Janet was unaware until she was eleven years old that her mother was Black; nor did she know until very recently that Tom McCrate was not her biological father.

The twists and turns of the narrative gather a range of topics and incidents; the human hair industry, Black immigration to Alberta and Saskatchewan in the early 1900’s, maternal abandonment, the stresses of military life, adoption search websites, the suicide of Gallant’s teenage brother, the sudden death of her young husband, the stress-disorder of alopecia, and the loneliness of surviving all this but never finding answers. But some important answers have been given and received as a result of Gallant’s research being inspired by the mysteriously healing process of the telling itself.

“The Wig-Maker” is Janet Gallant’s song; her story comes to life in Sharon Thesen’s poem.

I’m mixed race, and sometimes I feel like I don’t belong anywhere

CBC News
British Columbia
2021-03-07

Jeremy Ratt, Associate Producer
CBC Vancouver

My mother is Indigenous, and my dad is white. That makes me mixed — two pieces of me, split right down the middle, writes Jeremy Ratt. (Maggie MacPherson/CBC)

Indigenous people say I don’t look Indigenous, white people say I’m not white. So who am I, really?

It’s hard to be me.

I’m not fishing for sympathy or downplaying the struggles of other people who I recognize have it much worse. I feel safe and loved.

But I have trouble being me, because I really don’t know who “me” is at this moment.

I was born 19 years ago on a cold day at Royal University Hospital in Saskatoon. My mother is fully Indigenous, from the Woodland Cree First Nation in northern Saskatchewan, while my father is Caucasian with various ties to European ancestry. This makes me a person of mixed race. Two pieces of me, split right down the middle.

Ever since I could walk and talk, it became apparent that this background was going to be a major part of me. It was clear that I was different and there was no hiding that. “Apitoscan” was a word I’d always heard when it came to the definition of Métis people. In Woods Cree, it means “half-breed” as well as “Métis.”…

Read the entire article here.

Meet The Quebec Dads Making Beautiful Black And Mixed-Race Dolls

The Huffington Post
2021-02-10

Amélie Hubert-Rouleau

A little girl with her Ymma doll. INSTAGRAM/YMMA.WORLD

“We realized that the Black dolls were missing.”

Ymma’s website prominently features a Nelson Mandela quote: “It is in your hands to make a better world for all who live in it.”

Gaëtan Etoga and Yannick Nguepdjop take that literally. The two Quebec dads founded the company, which makes Black and mixed-race dolls, to inspire children and expose them to difference…

Read the entire article here.

Are We Home Yet?

Jacaranda Books
2020-09-10
Paperback ISBN13: 9781913090197

Katy Massey

One of Jacaranda’s #TwentyIn2020, Are We Home Yet? is a moving memoir of a mixed-race woman from a working class community in Leeds and her outspoken French-Canadian mother. Exploring issues of shame, immigration and class, the pair share their stories but struggle to understand each other’s choices in a fast-changing world.

Spanning the years from 1935 to 2010, Are We Home Yet? is the moving and funny story of a girl and her mother.

As a girl, Katy accidentally discovers her mother is earning money as a sex worker at the family home, rupturing their bond. As an adult, Katy contends with grief and mental health challenges before she and her mother attempt to heal their relationship. From Canada, to Leeds and Jamaica, and exploring shame, immigration and class, the pair share their stories but struggle to understand each other’s choices in a fast-changing world.

By revealing their truths, can these two strong women call a truce on their hostilities and overcome the oppressive ghosts of the past?

Other Tongues: Call for Submissions VOLUME 2

I Wonder As I Wonder
2019-09-16

Adebe DeRango-Adem

Mixed-Race Women Speak Out (Again!)

Co-editors Adebe DeRango-Adem and Andrea Thompson are seeking submissions of writing and/or artwork for a follow-up anthology of work by and about mixed-race women, intended for publication by Inanna Publications in 2020-21.

Deadline for Submissions: SEPTEMBER 1, 2020

The purpose of this anthology is to explore the question of how mixed-race women in North America identify in the 21st Century. The anthology will also serve as a place to learn about the social experiences, attitudes, and feelings of others, while investigating more general questions around what racial identity has come to mean today. We are inviting previously unpublished submissions that engage, document, and/or explore the experiences of being mixed-race…

…WHAT IS OTHER TONGUES?

The first edition of Other Tongues: Mixed Race Women Speak Out was born from a desire to see a new and refreshing literature that could be at the forefront of mixed-race discourse and women’s studies, while providing a space for the creative expression of mixed-race women. Through an inspirational and provocative mix of visual art, literature, orature, creative non-fiction and academic analysis, Other Tongues chronicled the changes in social attitudes towards race, mixed-race, gender and identity, and the each of the contributors’ particular reactions to those attitudes.

The diversity of each woman’s story demonstrated the breadth and depth of the lived reality of the mixed experience for women in North America at that particular moment in time. In this way, the book became a snapshot of the North American racial terrain in the afterglow of the inauguration of the first mixed-race/Black American President—a pivotal point in history that many mistakenly labeled the dawning of a “post-racial” age….

For more information, click here.

Large DNA Study Traces Violent History of American Slavery

The New York Times
2020-07-23

Christine Kenneally

An 1823 cross-section diagram of a ship used to carry enslaved people. incamerastock/Alamy

Scientists from the consumer genetics company 23andMe have published the largest DNA study to date of people with African ancestry in the Americas.

More than one and a half centuries after the trans-Atlantic slave trade ended, a new study shows how the brutal treatment of enslaved people has shaped the DNA of their descendants.

The report, which included more than 50,000 people, 30,000 of them with African ancestry, agrees with the historical record about where people were taken from in Africa, and where they were enslaved in the Americas. But it also found some surprises.

For example, the DNA of participants from the United States showed a significant amount of Nigerian ancestry — an unexpected finding, as the historical record does not show evidence of enslaved people taken directly to the United States from Nigeria.

At first, historians working with the researchers “couldn’t believe the amount of Nigerian ancestry in the U.S.,” said Steven Micheletti, a population geneticist at 23andMe who led the study…

…The 23andMe project found this general pattern, but also uncovered a startling difference in the experience of men and women between regions in the Americas.

The scientists calculated that enslaved women in the United States contributed 1.5 times more to the modern-day gene pool of people of African descent than enslaved men. In the Latin Caribbean, they contributed 13 times more. In Northern South America, they contributed 17 times more.

What’s more, in the United States, European men contributed three times more to the modern-day gene pool of people of African descent than European women did. In the British Caribbean, they contributed 25 times more…

Read the entire article here.