InSide/OutSide Cultural Hybridity: Greenstone as Narrative Provocateur |
InSide/OutSide Cultural Hybridity: Greenstone as Narrative Provocateur
Australian Association for Research in Education (AARE)
International Education Research Conference 2003
AARE – NZARE
2003-11-30 through 2003-12-03
Auckland, New Zealand
Tess Moeke-Maxwell, HRC Post Doctoral Research Fellow
Department of Psychology
University of Waikato
This paper is a revised chapter located in my PhD thesis ‘Bringing Home The Body: Bi/multi Racial Maori Women’s Hybridity in Aotearoa/New Zealand (2003). An earlier version of this paper is to be published as a chapter in Provocations: On Sylvia Ashton-Warner and Excitability in Education. Editors: Cathryn McConaghy (University of New England) and Judith P. Robertson (University of Ottawa).
Toward evening—we know it is evening—a canoe puts off from the bank of That Side and sets off over the river. In it are Huia and Memory and Sire paddling back from That Side to This, all chanting a paddle song the old one has recently taught them, keeping instinctive time with the paddles, which is one sure time they know—any instinctive rhythm. It is in Maori of course.
Behold my paddle!
See how it flies and flashes;
It quivers like a bird’s wing
This paddle of mine….But as they reach This Side landing an unrest stirs in Huia. Her allegiance to her koro on That Side confronts her feeling for Puppa on This Side. In the crossing of the polished surface of the river is the crossing from the brown to the white, although she’s too young to know it, and the emotional racial transition is not polished like the face of the river holding the gray of the sky in her waters and the glamorous gold of the trees; it is something with smudges on it, something with jagged angles. The racial transition is a sunken branch cutting the mirror surface (Ashton-Warner, 1966, pp. 63-4).
Essentially, this paper is a summary of the ideas presented in my doctoral thesis whereby I examined bi/multi racial Maori women’s cultural hybridity in Aotearoa/New Zealand. In my concluding chapter, I utilised Sylvia Ashton-Warner’s (1966) novel Greenstone to highlight bi/multi racial women’s hybridity in her portrayal of Huia’s coming and going, from one side of the river where she lives with her Pakeha family to the Other, the ancestral home of her people and the place where her Maori grandfather still lives. Ashton-Warner’s novel is situated after the First World War. She demonstrates how children of mixed racial ancestries were multiply located across different landscapes and cultures. In Greenstone, Hybrid-Huia’s corporeal body regularly travels backwards and forwards across the river/boundary separating her two cultural worlds, This Side and That Side. The crisscrossing between This Pakeha Side and That Maori Side is portrayed as a journey/process of metaphoric images and competing landscapes that need to be traversed to make the (cultural) transition to the Other Side possible…
Read the entire paper here.
Tags: Tess Moeke-Maxwell