Race Remixed… Reconsidered |
This lame and utterly boring series has yet to even reach the already low, low bar set in the mid-1990s regarding this topic by Time and Newsweek. Beyond the drippingly bathetic nature of the reporting throughout the series, there is never more than a sentence or two given over to the fact that there is a huge ideological debate occurring within critical mixed-race studies circles about just what mixed race is and is not, about whether or not supporting it requires belief in the fallacy of biological race, about how much it does or does not advance the cause of white supremacy (whether overtly and knowingly or not), and about the propriety of the disproportionate influence of white mothers of black/white children within the multiracial movement.
The only boundary being pushed by the “Race Remixed” series is the continued fencing off of any significant input (beyond that sentence or two acknowledged above) by scholars who are critical of multiracial identity. If this thoroughly unbalanced series wanted to actually provide real news, it would dare to investigate how multiraciality poses a danger to civil rights compliance monitoring, how multiraciality is assisting certain persons of Hispanic and Asian descent in their transition to “honorary whiteness” while persons of African descent remain barred from doing the same, and how the multiracial movement remains absolutely exclusionary in terms of setting itself apart from the nearly 40 million Afro-Americans of mixed descent in this country. If that thoroughly mixed population is not mixed race, then no one is.
Rainier Spencer (Professor and author of Reproducing Race: The Paradox of Generation Mix, 2011), Reader’s Comments (#49) for article “Pushing Boundaries, Mixed-Race Artists Gain Notice,” The New York Times, July 5, 2011. http://community.nytimes.com/comments/www.nytimes.com/2011/07/06/arts/mixed-race-writers-and-artists-raise-their-profiles.html?permid=49#comment49
Tags: Race Remixed, Rainier Spencer, The New York Times