Ten black composers whose works deserve to be heard more often

Ten black composers whose works deserve to be heard more often

The Guardian
2015-06-02

John Lewis


English composer Samuel Coleridge-Taylor (1875-1912). Photograph: Unknown/Hulton-Deutsch Collection/CORBIS

The newly formed Chineke orchestra aims to include a work by a composer of ethnicity in each of its concert programmes. John Lewis looks at some of the neglected writers whose music might finally get an airing

In the past 200 years, dozens of prominent black composers from America and other parts of the African diaspora have fought to be recognised by the western classical tradition. The earliest example is Chevalier de Saint-Georges (1745-99). Born in Guadeloupe, the son of a wealthy plantation owner and a female slave, Saint-George was brought to France at a young age. As well as being a champion fencer, a violin teacher to Marie Antoinette and a colonel in the republican army, his prodigious musical talents led to him being dubbed “le Mozart noir”. He was a prolific composer (with several operas, 15 violin concertos, symphonies and numerous chamber works to his name) and a rare French exponent of early classical violin composition. (Listen to Chi-chi Nwanoku’s radio documentary about him here.)…

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