A New Novel Gives Wings — and a Megaphone — to a Complex Woman

A New Novel Gives Wings — and a Megaphone — to a Complex Woman

The New York Times
2021-07-08

Carole V. Bell


Steffi Walthall

ISLAND QUEEN
By Vanessa Riley

Vanessa Riley was intrigued when she encountered the figure of Miss Lambe in Jane Austen’s unfinished final novel, “Sanditon.” Given the dearth of people of color in 18th- and 19th-century British literature, she wanted to know where the wealthy colored debutante had come from. Was she a product of a progressive authorial imagination? Or had real-life Miss Lambes merely been excised from popular culture and public memory?

The quest to “find Miss Lambe” turned into a long and meaningful one for the author — a 10-year journey, which revealed that Austen’s aims may have been progressive but they weren’t born of fantasy. As Riley wrote, “Finding Dorothy Kirwan Thomas, the women of the Entertainment Society, and so many other Black women who had agency and access to all levels of power has restored my soul.”

Riley’s commitment to restoring these unsung women to their rightful place in the popular imagination was a driving force behind her riveting and transformative new novel. Yet her chosen subject bears little resemblance to a pampered heiress like Miss Lambe; the contours of Dorothy Kirwan Thomas’s life have a much harsher bent. Called “Doll” or “Dolly” when she was young, Dorothy was born to an Irish planter and an enslaved woman in 1756 on the island of Montserrat. In her 90 years, she endured bondage, assault and abuse, secured her own freedom against incredible odds, accumulated great wealth and considerable influence, and became the founding matriarch of a prosperous Caribbean clan…

Read the entire book review here.

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