The Complexities of the Visible: Mexican Women’s Experiences of Racism, Mestizaje and National Identity

The Complexities of the Visible: Mexican Women’s Experiences of Racism, Mestizaje and National Identity

Goldsmiths College, University of London
2006

Monica Moreno Figueroa, Lecturer in Sociology
Newcastle University, United Kingdom

The thesis analyses the contemporary practices of racism in relation to discourses of mestizaje in Mexico. It focuses on the qualities of women’s experiences of racism and explores the significance of mestizaje in relation to Mexican discourses of race and nation. It provides a historical revision of the ways in which such discourses have developed in Mexico, emphasising the cultural conditions that make it possible to ‘think’ the nation, and relating them to the ways in which systems of differentiation amongst the population have operated. The thesis assesses the politics of difference in Mexico in relation to the ways in which notions of race and practices of racism have been detached from each other. For this, I analyse the historical development of the notion of mestizaje and the mestiza identity, and consider its impact and relevance in contemporary Mexico, calling into question official policies and public discourses that support the idea of the mestiza as the subject of national identity.

Through focus group discussions and life-story interviews based on family photographic albums, I explore how the women who participated in this study understand and experience their racialised, gendered and classed bodies and national identity, in a context where racism has been rendered invisible. The thesis then looks at the specificity of the participants’ social location and analyses how these women today in Mexico think through the notions of racism, mestizaje, and national identity. The focus on the qualities of their everyday experience of racism led me to explore the significance of the role of emotions in revealing the lived experience of racism. In this way, my analysis associates racial and class displacement with inadequacy; beauty, ugliness and ordinariness with shame; and the anxiety about family belonging with slightedness; and exposes the contradictory and ambivalent ways in which the experiences of racism are lived and understood. The experience of racism is explored from the particular perspective of the visible, specifically looking at the relationship between visual representations of identities and racist practices, and in this context the ways in which women see themselves and perceive how they are seen by others: the meanings and metaphors of their own image.

Read this thesis at the Integrated Catalogue of the British Library here.

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