I Claim Black Because My Light Skin Doesn’t Protect Me from Misogynoir

Posted in Articles, Autobiography, Media Archive on 2015-01-04 20:16Z by Steven

I Claim Black Because My Light Skin Doesn’t Protect Me from Misogynoir

For Harriet
2015-01-03

Kesiena Boom
Brighton, England

I am a mixed race woman. One of my parents is Black and the other is white. I identify as both mixed race and as Black. I do so because of the legacy of the one drop rule and because I cannot access whiteness as it is associated with being ‘pure’ and I am clearly ‘tainted’ with my racially ambiguous looks. My afro, my golden skin, my thick figure and my full lips combine to give me an appearance that is notably not white. I feel connected to Blackness in a way I cannot feel towards whiteness. Despite being mainly raised by my white parent, it is not in whiteness that I find my home…

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I Am a Blacktina: Reflections on Being an Afro-Cuban in the U.S.

Posted in Articles, Caribbean/Latin America, Identity Development/Psychology, Latino Studies, Media Archive, United States on 2014-12-31 00:54Z by Steven

I Am a Blacktina: Reflections on Being an Afro-Cuban in the U.S.

For Harriet
2014-12-28

Felice León

I am a Blacktina. Get it: Black [La]tina?

A friend gave me this nickname years ago, and it has stuck. My father is Afro-Cuban, and my mother Afro-American. I identify with both cultures and have tried to balance both, but I’ve found that I associate more so with my blackness, particularly while living in the United States.

Last week, President Obama announced the restoration of diplomatic ties with Cuba. There is said to be a U.S. Embassy opening in Havana. This is a big deal. It has been decades since the U.S. has had relations with Cuba, and Obama’s announcement marks a pivotal point in American history. Politically, there is both optimism and skepticism. Amongst my peers, the announcement seemed to have gone over well. Facebook was flooded with posts about Cuba: plans to travel to Cuba, requests for Cuban cigars, and other foolish insights that people tend to share on social media. I was also delighted to hear of the news. I’ve visited Cuba once, but it wasn’t enough. Still, during my trip I had a deep connection with my Black and Brown relatives. I was accepted as being Cuban, and for those few weeks there was no question about my identity…

I have found that being a Black woman of Cuban descent comes as a surprise to many in this country. In a class discussion last year I spoke of why I choose to refer to myself as Black (I didn’t mention the Blacktina nickname in this conversation): “The ship made many stops before it arrived on these shores. I feel like the term ‘Black’ more so encompasses the African Diaspora.” African slaves made significant contributions in Latin America. There is a complex racial history. African blood runs deep in the veins of many Latinos, which is why I choose to identify as Black. But for others, there is a level of denial when it comes to their African roots…

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More Than “Black-ish”: Examining Representations of Biracial People

Posted in Articles, Communications/Media Studies, Literary/Artistic Criticism, Media Archive, United States on 2014-11-09 19:12Z by Steven

More Than “Black-ish”: Examining Representations of Biracial People

For Harriet
2014-11-08

Aphrodite Kocieda

Being biracial can be an uncomfortable subject to talk about, especially because it highlights a sensitive history of colorism, racism, and favoritism within the Black community. The unapologetic presence of biracial people in contemporary media culture is beginning to spark questions about what it means to be black, and if biracial people “count” as black. We often speak about biracial people through a black apocalyptic narrative; meaning that the increase of biracial individuals represented in the media seemingly comes at a cost of erasing darker-skinned black people from the screen. This narrative is unproductive and anti-intersectional.

Salon writer Morgan Jerkins recently wrote a critique of the film “Dear White People” demonstrating how it was problematic that their most complex character was Sam, a biracial woman. Yes, folks, we live in a white supremacy; however, I am suspicious of people who want to end colorism with surface-level critiques. They call every representation of a light-skinned person a giant step backwards and offer no solutions for moving forward that honors the complexity and diversity of blackness. Jerkins’ sentiments were as trite and obvious as natural hair nazis who think every black woman with straight hair is a dupe. It’s much more complex than that. Sam’s authenticity as a black woman was questioned and it was assumed that the film may have been more dynamic if a darker-skinned (i.e. “fully” black) woman was cast instead. As a biracial woman myself, I thought the critique was quite dull and lacked any real depth…

..The show “Black-ish” picks up on this uneasiness surrounding biracial identity and ideas of blackness. The lead black character Dre (played by Anthony Anderson) struggles with his own blackness because he is wealthy, however he seems comfortable insisting that his mixed-race wife Rainbow (played by Tracee Ellis Ross) isn’t black. In the pilot episode, she tries to comfort him after a bad day at work and he teases her by stating that since she’s biracial—thus, she’s not really black.

In response, she states, “Okay, well, if I’m not really black, then could somebody please tell my hair and my ass?”

I celebrated this moment. She wasn’t asking for permission to be black. She claimed it, which is powerful when people interrogate our (meaning, biracial women) need to take up space in black narratives…

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