EMERGING FEMINISMS, (F)Act of Blackness: The Politics of Mixed Race Identity

Posted in Articles, Communications/Media Studies, Literary/Artistic Criticism, Media Archive, United States, Women on 2016-03-01 16:12Z by Steven

EMERGING FEMINISMS, (F)Act of Blackness: The Politics of Mixed Race Identity

The Feminist Wire

Jazlyn Andrews, Guest Contributor
Colorado College, Colorado Springs, Colorado

Jazlyn Andrews

That girl doesn’t have an ass.” The words hurled through the thick, humid air as if lobbed by a knife-thrower and struck me for reasons I couldn’t quite place at the time, reasons deeply rooted in my struggle to navigate my identity and subjectivity. My journey of self-definition has been a long and painful one that is nowhere near finished, fraught with fear of not belonging and comments made by peers negating my existence, dissecting me by claiming that I “don’t count,” their focus on my parts rather than my whole.

I was never “Black enough” to sing, “Asian enough” to get As in math classes, or “White enough” to be shielded from accusations of acceptance based on affirmative action. Hence, I find myself challenging controlling images but relying on them to validate my identity. My story is not unique considering the many mixed race women who have asked themselves time and time again: “Am I __________ enough?” or who have been on the receiving end of “What are you?” too many times to count. In fact, these experiences are so common—yet so under-analyzed—that Justin Simien created the Twitter hashtag #DearWhitePeople in order to examine the intricacies of being Black in predominantly White spaces.

Through an examination of the 2014 film Dear White People based loosely on Simien’s experiences at Chapman University, I examine how the Tragic Mulatta construction makes it acceptable for mixed race women to become sites for White men to explore their fears of, and fascinations with, an eroticized Other. Such a practice perpetuates an investment in a black-white binary that essentializes mixed race people to “either/or” rather than “both/and,” which maintains the property value of, and investment in, Whiteness. Importantly, the construction of, and reliance upon, a black-white binary erases mixed-race identities and functions to mitigate the threat we pose to blending the color line…

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Great Character: Sam White (“Dear White People”)

Posted in Articles, Literary/Artistic Criticism, Media Archive, United States, Women on 2015-03-18 19:36Z by Steven

Great Character: Sam White (“Dear White People”)

Go Into the Story

Scott Myer

The Great Character theme for the month: Rebel. Today: Sam White from Dear White People (2014), written and directed by Justin Simien.

As a biracial gentleman, it has been blatantly clear to me my entire movie-going existence that my distinct mixed race experience must be just some fairytale figment of my imagination to those shining the greenlight in Hollywood. Characters of multiple ethnicities typically find their stories swept under the dirty rug to give the red carpet treatment to the “more relatable” struggles of the interracial couples that give birth to us instead.

Enter the bold, brave, brilliant voice of Justin Simian, an auteur screenwriter/director of African-American descent and gay sexual orientation, inspired by his own outsider college occurrences. With Simian’s slick, super smart 2014 debut being the racial satire Dear White People, we receive a nuanced black and white female protagonist played by a charismatic actress that has the added layer of understanding stemming from actually being of mixed heritage herself. Heavily armed with a movie camera, a radio mic and a public speaking voice, Sam White, superbly played by Tessa Thompson (Selma), puts a modern spin on black activist Angela Davis reimagined in a bohemian chic Denise Huxtable Lisa Bonet fashion sensibility.

SAM WHITE: Dear white people, the minimum requirement of black friends needed to not seem racist has just been raised to two. Sorry, but your weed man, Tyrone, does not count…

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