Scholarly perspectives on the mixed race experience.
To be sure, there are other dimensions of this adaptation that deserve discussion—for example, the downplaying of Clare’s abusive childhood, which renders her passing a little more mercenary than it is in the novel—but I’ve already gone on too long. As is by now clear, I have my misgivings about [Rebecca] Hall’s recent film, but, above all, I’m very glad that she made it. If nothing else, it is a sign of [Nella] Larsen’s growing stature, a growth evident to any scholar who has been watching the ballooning scholarly interest in her work in the last decade. Having her novel adapted for the big screen constitutes a new stage in this evolution, for it makes her only the second novelist of the Harlem Renaissance to have her work adapted for film in a major way (Zora Neale Hurston was first, with Darnell Martin’s 2005 adaptation of Their Eyes Were Watching God).
Robin Thede, writer, comedian and creator of ‘A Black Lady Sketch Show’, joins Variety’sAngelique Jackson on ‘Through Our Lens’ to discuss how her perspective as a Black woman has shaped her comedy career and outlook as a creator and showrunner.
“The thing about tragedy, is that it causes people to react in a myriad of ways … [and] some of them are very hilarious,” Thede says, laughing. “You don’t make fun of the actual tragedy. You make fun of the ridiculous ways people react to it.”
“You’ve got people on the news saying ‘Black Guerilla Family’ 4,000 times because they get a kick out of saying ‘gorilla’ when connected to black people,” she says…
Wilmore made a bit of history then as the only black man hosting a major late night talk show.
And Thede also made history: She’s the first black woman to serve as head writer for such a show. But she’s quick to counter the notion that The Nightly Show is just a parody of Meet the Presscentered on jokes about race…
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