The Optics of Interracial Sexuality in Adrian Tomine’s Shortcomings and Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven

Posted in Articles, Literary/Artistic Criticism, Media Archive, Native Americans/First Nation, United States on 2016-06-23 19:45Z by Steven

The Optics of Interracial Sexuality in Adrian Tomine’s Shortcomings and Sherman Alexie’s The Lone Ranger and Tonto Fistfight in Heaven

College Literature
Volume 41, Number 1, Winter 2014
pages 119-148
DOI: 10.1353/lit.2014.0004

Jolie A. Sheffer, Associate Professor, English and American Culture Studies
Bowling Green State University, Bowling Green, Ohio

This essay focuses on the racial and sexual politics undergirding interracial relationships between men of color and white women. Alexie and Tomine’s works reveal how legal and cinematic histories of interracial romance continue to shape ethnic men’s sense of individual and community identity. An example of comparative ethnic-studies scholarship, this essay explores how minority subjects in the US are shaped by distinct racial logics. Alexie’s collection reflects the influence of the cinematic tropes of the Western and the history of US government attempts to weaken tribal ties on contemporary Native American male characters. Tomine’s graphic novel reveals the racial and sexual conventions of mainstream pornography and the individualist logic of the model minority myth on Asian-American men. Both authors suggest that queerness functions as an alternative ethical relation between parties, one grounded in equality rather than domination and relatively free of the visual logic of racialization.

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Transcultural Transformation: African American and Native American Relations

Posted in Anthropology, Dissertations, History, Identity Development/Psychology, Literary/Artistic Criticism, Media Archive, Native Americans/First Nation, United States on 2011-08-26 02:27Z by Steven

Transcultural Transformation: African American and Native American Relations

University of Nebraska
November 2009
139 pages

Barbara S. Tracy

A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy

The intersected lives of African Americans and Native Americans result not only in Black Indians, but also in a shared culture that is evidenced by music, call and response, and story. These intersected lives create a dynamic of shared and diverging pathways that speak to each other. It is a crossroads of both anguish and joy that comes together and apart again like the tradition of call and response. There is a syncopation of two cultures becoming greater than their parts, a representation of losses that are reclaimed by a greater degree. In the tradition of call and response, by denying one or the other something is lost. Claiming the relationship turns transcultural transformation into a powerful response. Working from Henry Gates’ explanation of signifying combined with Houston Baker’s description of blues literature, I examine signifying, call and response, and blues/jazz elements in the work of three writers to discover the collective lives of African Americans, Native Americans, and Black Indians. In the writing of Black-Cherokee Alice Walker, I look for the call and response of both African and Native American story-ways. I find these same elements in the writing of Spokane/Coeur d’Alene writer Sherman Alexie, in his blues writings and his revision of Robert Johnson’s and other stories. In the work of Creek/Cherokee Craig Womack, I examine a Creek/Cherokee perspective of Black Creeks and Freemen. In all of these works, I find that the shared African American and Native American experience plainly takes place in these works in a variety of ways in which the authors call upon oral and written story, song, and dance, and create a response that clearly signifies the combined power of these shared experiences. This is a fusion of shared traditions with differences that demonstrate the blending of voices and culture between two peoples who have been improvising together for a long time.

Table of Contents

  • Abstract
  • Acknowledgments
  • Introduction: Speaking of Things Yet Unspoken: Native Americans, African Americans, and Black Indians
  • 1. The Red-Black Center of Alice Walker’s Meridian: Asserting a Cherokee Womanist Sensibility
  • 2. Crossroads: The African American and Native American Blues Matrix in Sherman Alexie’s Reservation Blues
  • 3. “Red is Red”: Transcultural Convergence and Craig Womack’s Drowning in Fire
  • Conclusion: Common Ground: Let the Music Start
  • Works Cited

Read the entire dissertation here.

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